In "Ticket to Ride" Michael Bell created a cinematic painting series as a journey through one woman’s harrowing search for redemption, only nothing inspires redemption quite like revenge.

"The Ring" is the third of nine large-format mixed-media paintings that range from emotionally-driven portraits as allegories reminiscent of dramatic film-stills to dark, ambiguous hotel room scenes and metropolitan landscapes on 60" X 60" canvases overlaid with mixed-media subway maps painted into the background of each work.

Bell’s narrative strategy is for the viewer to question how much of Ticket to Ride is just a dream, and how much is rooted in reality. Its major movement is the journey taken by an Italian Femme Fetale that begins on a New York City subway platform awaiting her metaphorical “train” and her journey continues -- painting by painting -- like a roller coaster ride through her mind.

In Scene 3, "The Ring" the subway station is flooding with an avalanche of water symbolic of an extreme emotional outpour as an emergency phone dangles off the hook.