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Burial chamber invented and designed in accordance with the custom and the ancient Roman emperors magnificence, 1742
Ancient Roman Forum surrounded by arcades, with loggias, 1743
Ancient temple invented and designed in the manner of those that were manufactured in honor of the goddess Vesta (recorded in 1743), 1743
A marble plaque with the inscription: Roman Antiquities outside of Rome, drawn and engraved by Venetian architect Giambattista Piranesi, Part Two, 1748
Amphitheater of Pula in Istria near the sea, 1748
Amphitheatre of Verona, 1748
Arch of Augustus, manufactured by Rimini, 1748
Arch of Constantine in Rome, 1748
Arch of Drusus and the door of St Sebastian in Rome, 1748
Arch of Pula in Istria near the port, 1748
Arch of Janus in Rome, 1748
Arco de Tito, 1748
Caprice decoration: a skeletal figure in the center, among the ruins, fragments of sculpture, bones and skulls of which one half of the first floor, 1748
Caprice decorative figures in the center around a small Eramo faun, a triumphal arch at the bottom of the light etching, in the very back of a faun, a palm, Egyptian and half lion; bottom disparatissimi objects in bulk, 1748
Caprice decorative frames in the middle of a wall with a oval in the upper left a barrel and a hand pours a drink, the lower a syringe, a club, a caduceus, a censer smoke, an hourglass, skulls and bones, 1748
Coliseum and Flavian`s Amphitheatre in Rome, 1748
The Round Tower, plate III from `Carceri d`Invenzione`, 1749
Ancient altar, with other ruins, 1750
Ancient school engineered by Egyptian and Greek, 1750
Ancient mausoleum erected to the ashes of a Roman Emperor, 1750
Antenna dark prison, 1750
Bridge with magnificent balconies and arches erected by a Roman Emperor, 1750
Caprice decoration, a group of ruins inhabited by snakes, surmounted by an ancient tomb, a delicate etching pine in the fund at the bottom right palette, 1750
Column group holding two arcs of a large courtyard with fountains and stairs, 1750
Colonna Antonina, 1751
The Roman antiquities, t. 1, Plate I., 1756
The Roman antiquities, t. 1, Plate II. Map of ancient Rome and Forma Urbis., 1756
The Roman antiquities, t. 1, Plate III. Map of ancient Rome and Forma Urbis., 1756
The Roman antiquities, t. 1, Plate IV. Map of ancient Rome and Forma Urbis., 1756
The Roman antiquities, t. 1, Plate IX. Aurelian Walls., 1756
The Roman antiquities, t. 1, Plate V. Map of ancient Rome and Forma Urbis., 1756
The Roman antiquities, t. 1, Plate VIII. Aurelian Walls., 1756
The Roman antiquities, t. 1, Plate VIII. Aurelian Walls., 1756
The Roman antiquities, t. 1, Plate X. Aurelian Walls and Amphitheatrum Castrense., 1756
The Roman antiquities, t. 1, Plate XI. Aurelian Wall : Muro Torto., 1756
The Roman antiquities, t. 1, Plate XI. Porta Tiburtina., 1756
The Roman antiquities, t. 1, Plate XI. Urban Walls., 1756
The Roman antiquities, t. 1, Plate XII. Aqua Alsietina., 1756
The Roman antiquities, t. 1, Plate XII. Aqua Alsietina., 1756
The Roman antiquities, t. 1, Plate XIII, 1756
The Roman antiquities, t. 1, Plate XIII. Column of Marcus Aurelius., 1756
The Roman antiquities, t. 1, Plate XIV, 1756
The Roman antiquities, t. 1, Plate XIV. Pantheon., 1756
The Roman antiquities, t. 1, Plate XIV. Pantheon., 1756
The Roman antiquities, t. 1, Plate XIX, 1756
The Roman antiquities, t. 1, Plate XIX. Duct of Caracalla., 1756
The Roman antiquities, t. 1, Plate XL, 1756
The Roman antiquities, t. 1, Plate XLI. The Nymphaeum of Nero, the Stadium, the `Odeo, and the Temples of the people Flavia, manufactured by Domitian, 1756
The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian, 1756
The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian, 1756
The Roman antiquities, t. 1, Plate XLIII. Plan of the ancient Roman Forum, 1756
The Roman antiquities, t. 1, Plate XLIV. Plan of Mount Capitoline and its fortress; Perspective of the two horns or stones that stood in the sides of the Capitoline, 1756
The Roman antiquities, t. 1, Plate XLV. Plan of upper floor of the Caesars Palace de `d` home `s believed Augustus (Drawing and inc. By Francesco Piranesi), 1756
The Roman antiquities, t. 1, Plate XLVI. Plan of the lower part of the `Palace of the Caesars believed the Baths Palatine (Drawing and inc. By Francesco Piranesi), 1756
The Roman antiquities, t. 1, Plate XV. Pantheon., 1756
The Roman antiquities, t. 1, Plate XVI, 1756
The Roman antiquities, t. 1, Plate XVI. Temple of Minerva Medica., 1756
The Roman antiquities, t. 1, Plate XVII. Aqua Claudia., 1756
The Roman antiquities, t. 1, Plate XVII. Aqua Claudia., 1756
The Roman antiquities, t. 1, Plate XVIII. Ruins of the Tempio della Speranza Vecchia., 1756
The Roman antiquities, t. 1, Plate XVIII. Tomb near Porta San Sebastiano., 1756
The Roman antiquities, t. 1, Plate XX. Casa dei Crescenzi., 1756
The Roman antiquities, t. 1, Plate XX. Ponte Rotto., 1756
The Roman antiquities, t. 1, Plate XX. Portico of Marcus Aemilius Lepidus and P. Aemilius Paulus., 1756
The Roman antiquities, t. 1, Plate XXI. Arch of Janus., 1756
The Roman antiquities, t. 1, Plate XXII. Cloaca Maxima., 1756
The Roman antiquities, t. 1, Plate XXII. Temple of Cybele., 1756
The Roman antiquities, t. 1, Plate XXIII. Aventine Hill., 1756
The Roman antiquities, t. 1, Plate XXIII. Aventine Hill., 1756
The Roman antiquities, t. 1, Plate XXIV. Celio o Oppio. The Seven Halls. Baths of Trajan., 1756
The Roman antiquities, t. 1, Plate XXIV. Nero`s aqueduct., 1756
The Roman antiquities, t. 1, Plate XXIX. Trajan`s Column., 1756
The Roman antiquities, t. 1, Plate XXIX. Trajan`s Market., 1756
The Roman antiquities, t. 1, Plate XXV. Nero`s aqueduct., 1756
The Roman antiquities, t. 1, Plate XXV. Santo Stefano Rotondo., 1756
The Roman antiquities, t. 1, Plate XXVI. Aqua Julia., 1756
The Roman antiquities, t. 1, Plate XXVI. Arch of Gallienus., 1756
The Roman antiquities, t. 1, Plate XXVII. "Baths of Titus" (really the Baths of Traianus)., 1756
The Roman antiquities, t. 1, Plate XXVII. The Seven Halls., 1756
The Roman antiquities, t. 1, Plate XXVIII. "Baths of Titus" (really the Baths of Traianus)., 1756
The Roman antiquities, t. 1, Plate XXVIII. Baths of Diocletian., 1756
The Roman antiquities, t. 1, Plate XXX. Forum Nervae., 1756
The Roman antiquities, t. 1, Plate XXX. Forum Nervae., 1756
The Roman antiquities, t. 1, Plate XXXI. Arch of Septimius Severus., 1756
The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina., 1756
The Roman antiquities, t. 1, Plate XXXII, 1756
The Roman antiquities, t. 1, Plate XXXII. Ruins of the pronaos of the temple of Jupiter the Thunderer., 1756
The Roman antiquities, t. 1, Plate XXXIII. Ruins of the temple of Castor and Pollux., 1756
The Roman antiquities, t. 1, Plate XXXIII. Veduta with ruins of Nero`s Golden House., 1756
The Roman antiquities, t. 1, Plate XXXIV, 1756
The Roman antiquities, t. 1, Plate XXXIV. Veduta with Arch of Titus., 1756
The Roman antiquities, t. 1, Plate XXXIX, 1756
The Roman antiquities, t. 1, Plate XXXV, 1756
The Roman antiquities, t. 1, Plate XXXV, 1756
The Roman antiquities, t. 1, Plate XXXVI, 1756
The Roman antiquities, t. 1, Plate XXXVI. Veduta with ruins of the Peristyle House of Nero., 1756
The Roman antiquities, t. 1, Plate XXXVII. View of Flavian Amphitheatre and the Colosseum., 1756
The Roman antiquities, t. 1, Plate XXXVIII, 1756
The Roman antiquities, t. 1, Plate XXXVIII, 1756
The Roman antiquities, t. 1, Plate XXXVIII. Plate of topography of Rome., 1756
The Roman antiquities, t. 2, Plate IV. Plan and elevation of the `surplus of wall in the tomb of C. Poblicio at the foot of the Capitol in a place called Macel de `Corvi., 1756
The Roman antiquities, t. 2, Plate IX. Plan of the burial chambers of `Liberti, and Family L. Arrunzio., 1756
The Roman antiquities, t. 2, Plate V, 1756
The Roman antiquities, t. 2, Plate V, 1756
The Roman antiquities, t. 2, Plate VI. Following the above table., 1756
The Roman antiquities, t. 2, Plate VII. Plan, cracked and facade of a tomb outside Porta S. Sebastian on the Via Appia in the Hamlet of S. Maria Nuova., 1756
The Roman antiquities, t. 2, Plate VIII. Entry of the burial chamber of L. Liberti and Family Arrunzio., 1756
The Roman antiquities, t. 2, Plate X. View of the entrance of the burial chamber of L. Arrunzio and his Family, 1756
The Roman antiquities, t. 2, Plate XI. View of another part of burial chamber of L. Arrunzio, 1756
The Roman antiquities, t. 2, Plate XII. Prospectus and Profile of a tomb of the previous rooms, 1756
The Roman antiquities, t. 2, Plate XIII. Ornaments in stucco, existing in the Time of the burial chamber of L. Arrunzio., 1756
The Roman antiquities, t. 2, Plate XIV. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault)., 1756
The Roman antiquities, t. 2, Plate XL. View of a tomb oldest existing bridge in a vineyard near Lugano., 1756
The Roman antiquities, t. 2, Plate XLI. External view of the three rooms before burial., 1756
The Roman antiquities, t. 2, Plate XLII. Interior view of one of the three rooms before burial., 1756
The Roman antiquities, t. 2, Plate XLIII. Plan and elevation of a burial chamber., 1756
The Roman antiquities, t. 2, Plate XV. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault)., 1756
The Roman antiquities, t. 2, Plate XVI. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault).., 1756
The Roman antiquities, t. 2, Plate XVII. Burial Chamber just steps away from the family of L. Arrunzio., 1756
The Roman antiquities, t. 2, Plate XVIII. Inscriptions and fragments of the burial chamber above., 1756
The Roman antiquities, t. 2, Plate XVIX. Inscriptions and fragments of the burial chamber above., 1756
The Roman antiquities, t. 2, Plate XX. Inscriptions and fragments of the burial chamber above., 1756
The Roman antiquities, t. 2, Plate XXI. Urn of marble found in the burial chamber above (figures carved from Barbault)., 1756
The Roman antiquities, t. 2, Plate XXII. Plan of the Mausoleum of Constance., 1756
The Roman antiquities, t. 2, Plate XXIII. Remains of the great building burial added to the Mausoleum of Constance., 1756
The Roman antiquities, t. 2, Plate XXIV. Columns with their capitals, architrave, frieze and cornice existing under the arches inside the Mausoleum of Constance., 1756
The Roman antiquities, t. 2, Plate XXIX. View of the Tomb of the Scipios believed outside Porta S. Sebastiano., 1756
The Roman antiquities, t. 2, Plate XXV. Large urn of porphyry, within which is believed to have been placed the body of Constance., 1756
The Roman antiquities, t. 2, Plate XXVI. Previous cross-section of large urn and other details., 1756
The Roman antiquities, t. 2, Plate XXVII. Plan of a factory tomb outside Porta Maggiore in a vineyard next to Tower Pignataro., 1756
The Roman antiquities, t. 2, Plate XXVIII. Plan, and elevation cross-section of the Tomb of the Scipios., 1756
The Roman antiquities, t. 2, Plate XXX. Plan and elevation of a factory located not far from the burial Tower Slave., 1756
The Roman antiquities, t. 2, Plate XXXI. Fragment of stucco gouged by the time of Nicchioni is one of the interior of the factory before burial., 1756
The Roman antiquities, t. 2, Plate XXXII. Plan and external view of the tomb of Alexander Severus located outside Porta S. John about a mile from the aqueducts., 1756
The Roman antiquities, t. 2, Plate XXXIII. Insight into the tomb of Alexander Severus., 1756
The Roman antiquities, t. 2, Plate XXXIV. Grand marble urn believed to Alexander Severus and his mother Julia Mamea (figures carved from Barbault)., 1756
The Roman antiquities, t. 2, Plate XXXIX. Plan and section of the three rooms of the family of Augustus believed burial., 1756
The Roman antiquities, t. 2, Plate XXXV. Rear of the previous special urn., 1756
The Roman antiquities, t. 2, Plate XXXVI. Hips and split of the urn itself (figures carved from Barbault)., 1756
The Roman antiquities, t. 2, Plate XXXVII. Plan and elevation of a tomb located on the ancient Via Appia near the Vineyard Buonamici., 1756
The Roman antiquities, t. 2, Plate XXXVIII. Cutaway view of the tomb before., 1756
Ruins of a Gallery of Statues in Hadrian`s Villa at Tivoli, 1756
View of the Flavian Amphitheatre, called the Colosseum, 1756
Arco di Settimio Severo, 1759
A view of the remains of two Triclinj who belonged to Nero`s Golden House, 1759
Arch of Septimius Severus, 1759
Carceri VII, 1760
Arco de Tito, 1760
Another view of the Temple of the Sibyl at Tivoli, 1761
Another view of the Temple of the Sibyl at Tivoli, 1761
Architectural decoration, 1761
The Well, 1761
According to Cover Up the papal coat of arms, under a large cartouche garlanded with a dedication to Pope Clement XIII, 1762
Cover Page. A large plaque embossed with rich ornaments bearing the inscription: Lapides Capitoline Fasti sive consulares Triumphalesq Romanorum seasoned ab Urbe even unto Tiberium Caesarem., 1762
Title page: Collection of several drawings engraved after Barbieri da Cento (known as Guercino) engraved on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi, 1764
Architectural decoration, 1765
Architectural decoration, 1765
Ancient temple commonly known as the Health on the Way at Albano, five miles distant from Rome, 1766
Another interior view of the Villa of Maecenas at Tivoli, 1767
A five-legged table, wall Matterhorn, surmounted by a clock between two decorative vases, two candelabra wall, two urns, 1769
A tripod stand and a former, 1770
Ancient marble vase decorated with twisted stems of ivy, birds and scenic masks scherzanti, 1770
A view of the surpluses above the Baths of Diocletian, 1774
A view of the progress of the Water Castle Julia, 1775
A tripod and two vessels, 1778
Ancient marble urn adorned with various symbols alluding to human life, 1778
Ancient marble urn vase with dogs and an owl flying buttresses, ribbed, 1778
Another extension as above, 1778
Another extension as above, 1778
Another vessel supported by tripod, 1778
Another view in perspective of the previous candlestick, 1778
Another view in perspective of the same Tripod, 1778
Another view of the facade of the pronaos, 1778
Another view of the same, 1778
Another view of the same scrap, 1778
Another View of the Temple in the city of Paestum, believed dedicated to Juno, 1778
Bas-relief carved in a marble vase in the existing Palace of Villa Borghese, representing a bacchanal, 1778
Candlestick reconstructed from fragments already in the ancient Palazzo Salviati Lungara, 1778
Cover Page. Above the eagle of the Holy Apostles Roman portico at the bottom of the vases in the Vatican Library Collection Ghezzi On a slab of marble, the inscription in relief., 1778
A capital and a base (inc F Piranesi), ?
A chest of drawers, a side of the sedan, a decorative vase and various ornamental motifs, ?
A chimney top, and bottom wall two tables, the inf on a sheet of paper, ?
A family in prayer, ?
A frieze with architrave, column, two capitals, a bed, a shelf and two terracotta, ?
A Sacrifice, ?
A table on the wall with two Satyrs, a pndola, two watches, two vases, candlesticks wall and table ornaments, ?
A table with the vessel wall rostrata, four clocks, two decorative vases, ornaments, ?
A view of the progress of the Water Castle Julia from which the trophies were removed (this board brings the n 47 and is also part of Volume XVI), ?
Adoration of the Magi, ?
Aeolus seated on clouds, ?
Aforesaid Section of the house, ?
The Blessed Virgin with Saints Peter and Paul, by Guercino, ?
Allegory of Providence, ?
Altar and sacred furnishings of the Egyptian Temple, ?
Altar dedicated to Apollo found in the Villa of Pompey the Great in Albano, ?
Altrorilievo other side of the pedestal (two branches), ?
Amazone, ?
Amphitrite, ?
Ancient marble Altar in the palace of the Farnesina, ?
Ancient marble bas-relief in the Museo Borgia existing Velletri (inc F Piranesi), ?
Ancient marble urn in the garden of the Quirinal, ?
Ancient monument topped by Cornucopia`s head Boar in the Vineyard Cenci Capo di Bove, ?
Ancient representing a plastic chariot circus at the turn of the destinations (inc F Piranesi), ?
Portrait of Raffaele Lanzio da Vitine, ?
St. Jerome in the act of contemplating the crucifix, by Guercino, ?
Another dancer, taken from a painting of ancient Pompeii, ?
Another perspective view and details of the Doric Temple, ?
Another view of the above and the column of granite pedestal, ?
Another view of the ruins of the pronaos of the Temple of Concord, ?
Another view of the same side of the Trophy, ?
Another view of the same tripod, ?
Antinous, ?
Antique vase of basalt found on the Quirinal in 1772, ?
Antique vase of clay, which is seen in the collection designed by Pirro Ligorio in the Vatican Library, ?
Antique vase of marble (Villa Albani), ?
Antique vase of marble decorated with festoons and various plots of funds, ?
Antique vase of marble decorated with ox skulls and garlands, ?
Antique vase of marble great deal in the Palace of the Villa Borghese, ?
Antique vase of marble in the Villa Valenti at Porta Pia, ?
Antique vase of marble representing the feats of Hercules, with the base representing a coffin, ?
Antique vase of marble with kneeling figures drinking from hippogryphs, with chandeliers and a pedestal corner, ?
Antique vase on a marble cinerary urn, ?
Apollo, ?
Apollo and Hyacinth, ?
Apollo and Silenus, ?
Apollo Belvedere, ?
Apollo, the dart body, ?
Apparition of the Angels to Abraham, from L Carracci, ?
Aquarius and Libra, ?
Arch of Gallienus and the facade of the Church of St. Vito, ?
Arch of Septimius Severus, ?
Arch of Trajan in Ancona, ?
Architectural decoration, ?
Architectural decoration, ?
Architectural details of the Arches of Titus and Septimius Severus and the obelisk in Piazza of St. Peter, ?
Architrave, frieze, cornice, various capitals (Saints Cosmas and Damian, St. Peter, etc.), ?
Ariadne, ?
Auriga winner of the daughters of Danaus (painting by vessel, inc. To outline), ?
Bacchante bearing a plate and a bucket, ?
Bacchante carrying a jar of fruit, ?
Bacchante dancing, ?
Bacchante dancing with castanets, ?
Bacchante leading a mirror, ?
Bacchante leading ears; beside her the Sun, ?
Bacchante with a sword, ?
Bacchus in the act of drinking, ?
Bacchus in the act of drinking, ?
Andromeda on the rock by Guercino, ?
Bases and pedestals (a simple outline) (Arch of Augustus at Rimini, Fortuna Virile), ?
Black and white mosaic floor of the Temple of the cell referred to above, and which was inscribed at the entrance of the enclosure, ?
Borghese fighter, ?
Borghese hermaphrodite, ?
Bottle and glass vases and crystal faceted, found in Pompeii, ?
Bottles and glasses, found at Pompeii, ?
Brennus and Camillus, ?
Bronze vases shaped bag (Arytena), found in Pompeii, ?
Bronze vessels with movable handles, found at Pompeii, ?
Bust of old man, ?
Bust of Piranesi, ?
Bust of Raphael`s Church in the Round, ?
Bust of unknown, unsigned, ?
Cabinet containing household utensils, ?
Cabinet containing household utensils, ?
Candlestick in the courtyard of the Palazzo Lante in St. Eustachius, ?
Candlestick in the Palazzo Lante in St. Eustachian, ?
Capitals and friezes (Farnese Gardens, Roman Villas), ?
Capitals and special arc (Villa Borghese, the Arch of Septimius Severus, etc.), ?
Capitals, column, frame, shelf, ?
Capitals, friezes, cornices (Farnese Gardens, Santa Maria in Trastevere, etc.), ?
Cell on the inside of the Basilica of St. Paul Outside the Walls, ?
Chariot of Mars, ?
Chariot of Mercury, ?
Chariot of Saturn, ?
Chariot of the Moon, ?
Chariot of the Sun, ?
Chariot of Venus, ?
Half figure of a warrior with a chalice in his hands, by Guercino, ?
Cleopatra to death with the asp by Guercino, ?
Jesus in prayer, with the `angel who shows him the instruments of passion, by Guercino, ?
Old to the desk (half length) by Guercino, ?
Women and warriors, by Guercino, ?
Chess and Nosetto floor in mosaic at the House of Society, ?
Chest of drawers with patterns of diamonds, on a clock and two decorative vases, ?
Cherub kneeling releasing a bird by Guercino, ?
Cinerary vase you see over the front door of the Palace of the Villa Panphili, ?
City hanging arm, and sailed below, ?
Woman Reading (half length) by Guercino, ?
Colosseum with Stations of the Cross, ?
Column bases and capitals (S Prassede, St. Peter in Chains, Villa Albani, etc.), ?
Columns Doric, Corinthian and Tuscan (from Le Roy), ?
Commonly called the Temple of Janus, ?
Comparisons of structural details (beams), ?
Construction details, ?
Construction details and an inscription found in the Farnese Gardens, ?
Construction details of the Cloaca Maxima, ?
Cornerstones of the same gateway, ?
Cover Page. An exhibition of water falls from slabs of marble, and ornaments., ?
Cover Page. To the right a temple on fire, left a high-relief depicting the War of `Giants against Jupiter., ?
Cross section of the tomb of Mamia, ?
Cross-section transverse to the Temple of Honor and Virtue, ?
Crouching Venus, ?
ction of the pedestal of Trajan column, the main port and first order of steps, ?
Cupid and Psyche, ?
Cupid and snails, ?
Cupid and the turtles, ?
St. John the Baptist in prayer, by Guercino, ?
Cupid winner of Neptune, ?
Cupid winning souls, ?
Curule chair of marble found at the Rostra in the Roman Forum, and a marble vase, ?
Cutaway of the Interior for long these days, and his Porch, ?
Cutaway theater along gl `inputs of` More of the same orchestra for crosswise stability of the scene, ?
Cutaway view of the pronaos, or portico of the Temple of Honor and Virtue, ?
Dancing Bacchante bearing a box, ?
Decorated in several existing cams in their country house in Pompeii, ?
Decorative marble Vase (inc. in outline), ?
Dedicatory letter in italics italics, dated July 20, 1748, ?
Demonstration from the Lake of Fucino, two boards together, title listed with index, ?
Demonstration from the Lake of Fucino, two boards together, title listed with index, ?
Demonstration in great capitals of the columns of Trajan, ?
Demonstration in large parts of the exterior of the Pantheon, ?
Demonstration in large parts of the first order interior of the Pantheon, ?
Demonstration in large parts of the first order interior of the Pantheon, ?
Demonstration in large parts of the first order interior of the Pantheon, ?
Demonstration in large parts of the interior of the Pantheon, ?
Demonstration in large parts of the interior of the Pantheon, ?
Demonstration in large parts of the Portico of the Pantheon, ?
Demonstration in large parts of the Portico of the Pantheon, ?
Demonstration in large parts of the Portico of the Pantheon, ?
Demonstration in large parts of the Temple of Vesta and the Sibyl, ?
Demonstration in plan and elevation of the current state of the Pantheon and other ancient buildings adjacent, ?
Demonstration of a large pedestal base of the Trajan`s Column, ?
Demonstration of a part of the interior of the Pantheon put in a straight line, ?
Demonstration of cross-section diameter of the Gate of the Temple of Vesta in Tivoli, ?
Demonstration of in large atrium aforesaid, ?
Demonstration of large parts of the second inner order of the Pantheon, now there are no more, ?
Demonstration of of the house itself, ?
Demonstration of some parts of the Opera brick, which builds the Pantheon, ?
Demonstration of some parts of the Opera brick, which builds the Pantheon, ?
Demonstration of the `apparatus of a mobile stage for the representation of tragic, comic and satirical perspective and pulpit, ?
Demonstration of the door of the Pantheon, ?
Demonstration of the exterior and interior of the window shows the bell of the Temple of Vesta, ?
Demonstration of the great services of the aforesaid employees Tavern, ?
Demonstration of the port and its modinature the Temple of Vesta in Tivoli, ?
Demonstration of the shell and its derivatives, ?
Demonstration of various ornaments of the Temple of Vesta, ?
Demonstrations of some outer parts of the Pantheon, ?
Demonstrations of the area of `boulders that connect to each other, ?
Detail of the Dispute of the Sacrament of Raphael, ?
Details, ?
Details, ?
Details of Greek and Roman monuments, ?
Diana archer, ?
Diana bating, ?
Diet or place of entrance to several great cubicles and other magnificent rooms, existing in the Villa Adriana, ?
Dimostazione various ornaments of the Temple of Vesta, ?
Discus Thrower, ?
Door Hardware found in Pompeii, ?
Drawing of a vase and other scraps found in the same tomb, ?
Drip, ceiling architrave, frieze and piece of spare columns, ?
Drums of columns and bas-relief of Roman Villas, ?
Eagles, signs, banner, and two legionnaires at the ford of a river, ?
Egyptian Obelisk in the Plaza of St. John Lateran, ?
Egyptian-style fireplace surmounted by two sphinxes and flanked by two great figures of harpists, a rich interior wing, ?
Egyptian-style fireplace, flanked by two kneeling female figures, ?
Egyptian-style fireplace, on the floor between two obelisks and a number of decorative elements, two sphinxes crouching, and among them a naked figure standing, ?
Egyptian-style fireplace, the frieze of a lion mask between two sphinxes on the sides sacred figures standing with a lion`s head, ?
Egyptian-style fireplace, two figures on the right foot, since two mummies, ?
Egyptian-style fireplace, two large sides with figures supporting the top, ?
Egyptian-style fireplace, two on each side jugglers spilled on the hands, ?
Eight signs of the Zodiac, ?
Elevation, ?
Elevation and plan of a temple, ?
Elevation of the inside wall of the ruins of the castle and the events of the external details related to the bed and fistulas water distribution, ?
Elevation of the inside wall of the ruins of the castle and the events of the external details related to the bed and fistulas water distribution, ?
Elmo and the bronze gladiator, ?
Emissary of Lake Albano (sets and sections), ?
Entrance to the city of Pompeii with the existing factories outside the door, ?
Entrance to the courtyard of the Temple of Isis, ?
Equestrian statue of Marcus Aurelius, ?
Etruscan monuments of various kinds relating to sacred uses, public, private, war, and ornaments used in the aforementioned sights (115 small incisions), ?
Exterior view of the great Basilica of St. Peter in the Vatican, ?
External view of the front door of the tomb aforesaid, ?
Facade and the side of the Temple of the Sibyl at Tivoli, ?
Facade of the Temple Tuscany (by Vitruvius, according to Le Roy and Perrault), ?
Face of the balance of the Pantheon without roesent Modern Bell, ?
Farnese Hercules, ?
Faun with grapes, ?
Fireplace Egyptian style, the sides two seated figures in profile, facing outwards, ?
Fireplace Egyptian-style: three seated figures on each side, ?
Fireplace in egyptian-style, on each side of a sacred cow in profile with her head toward the fire, ?
Fireplace that has a second floor on the frieze of putti cavalcanti dolphins and sea monsters, a rich interior wing, ?
Fireplace topped by a large Egyptian-style caryatids, from a variety of decorative elements, ?
Fireplace with a cameo in the frieze and border of small acorns, rich wing, ?
Fireplace with a frieze of armor; heron in a shell at the center between two dragons, ?
Fireplace with a frieze of griffins; hips candlestick, ?
Fireplace with a frieze of masks, winged figures at the hips; other way smaller inferiorly, ?
Fireplace with a frieze of serpents and winged figures above the hips bucranes, ?
Fireplace with a large ornate metal wing, ?
Fireplace with cameos frieze; forward to it, on a sheet of paper, another fireplace decorated with Medusa heads and winged figures with lyre, ?
Fireplace with draped figures and horns of plenty at the hips, and a medallion on the frieze and two heads in profile between two fasces, ?
Fireplace with garland frieze applicant and cameos, ?
Fireplace with two large lire on the sides, and four rams` heads in the frieze, ?
Fireplace, two greyhounds, squatting, on the sides, and the Roman she-wolf in the frieze, ?
Fireplace: busts in the frieze of satyrs and the head of Medusa in the center between two eagles, ?
Fireplace: four pairs in the frieze of dolphins addressed; a rich interior wing, ?
Fireplace: frieze of scrolls and sea horses with central mask, a rich interior wing, ?
Fireplace: frieze on a medal with his imperial backhand; inside wing with two winged Victories, ?
Fireplace: frieze with ribbing and scrapers, and a Greek, a rich interior wing, ?
Fireplace: In a garland frieze between two eagles above the plane of a clock, ?
Fireplace: in the center of the frieze figures of warriors standing up on each side, top, two small figures of goddesses sitting on cameos head of Medusa, ?
Fireplace: in the frieze horse skull between two cameos; rich interior wing, ?
Fireplace: in the frieze of a Medusa`s head between two swans, flanked by two centaurs in the race, a rich interior wing, ?
Fireplace: in the frieze of Medusa heads 3 horns of plenty joined by the sides of Aries heads, ?
Fireplace: in the frieze rython to two horse heads, hips 4 caryatids, ?
Fireplace: in the frieze, sacrificing two fauns, including winged genii; high on the wall, the figure of a woman lying in a shell, ?
Fireplace: in the frieze, three masks; a rich interior wing, ?
Fireplace: on each side two standing figures, a naked and draped, a rich interior wing, ?
Fireplace: on the frieze of acanthus leaf between two horns, dolphins and sphinxes, ?
Fireplace: stage three masks in the frieze between two medallions with the Graces, in the interior, full wing, ?
Fireplace: trophies with sphinxes in the sides, to which the lower two figures are set against Egypt, in the interior, full wing, ?
Fireplace: two medals in the frieze of garlanded a figure lying on a bed, ?
Fireplace: two sides of the well-head lion paws of a lion in a rich wing, ?
Fireplace: two vases on the sides with snakes, ?
Fireplace: vessels in the frieze and sides, palms and garlands, ?
Five friezes, ?
Floor Plan, ?
Floor plan for the great Temple of Isis, ?
Floor plan of the great Temple of Isis, its atrium, its triclinium and other adjacent buildings, ?
Floor Plan of the Surgeon at Pompeii, ?
Flora, ?
Flora Farnese, ?
Flora of dressing the hair in place, ?
Following the above table, ?
Following the above table, ?
Following the above table, ?
Following the above table, with a special section, ?
Fornarina, ?
Forum of Augustus, ?
Four sides of the sedan, a clock, two candlesticks, table wall, ?
Fourth side of the pedestal of the same column, ?
Fourth side of the pedestal of the same column, ?
Fourth side of the pedestal of the same column, ?
Fragment of a shield fell from above Trophies, ?
Fragment of an architrave and frieze, capitals of columns and pieces, ?
Frames and gutters, ?
Frieze Hippogriffs ancient marble in the courtyard of the palace of the Valley, ?
Friezes of Etruscan tombs of Tarquinia, ?
Friezes of Etruscan tombs of Tarquinia, ?
Friezes of Etruscan tombs of Tarquinia, ?
From near and Andromeda Carav, ?
Frontespezio. A large plaque surmounted by a bust of Minerva in a garland of laurel, and leaning on two shelves with two large naked Michelangelo and the Roman she-wolf in a circle between them., ?
Frontispiece In the foreground, bottom right, a large decorative vase, architectural fragments scattered on the ground between plants, ?
Frontispiece. A group of fragments and decorative marble plaque on the largest of which is engraved: Antiques Cora described., ?
Funeral procession, the Blessed Virgin, ?
Galatea, ?
Galatea, ?
Galatea on a sea monster, ?
Gallo dying, ?
Gallo`s group with his wife, ?
Ganymede, ?
Ganymede carried off by the eagle, ?
Gemini and Virgo, ?
General map of the continuation of the road and factories adjacent to the House of the Surgeon, ?
General plan embracing the Temple of Isis, two theaters, the District Soldiers, a large porch and a Gym, ?
General plan of the Museum of Portici, ?
General sections of the three previous houses, ?
Genius of Apollo, ?
Genius of Bacchus, ?
Genius of Bacchus, ?
Genius of Cybele, ?
Genius of Diana, ?
Genius of Harvest, ?
Genius of Mars, ?
Genius of Mysteries, ?
Genius of Pan, ?
Genius of Silene, ?
Genius of the races, ?
Geometrical proofs on the door, ?
Germanicus in the guise of Mercury, ?
Half figure of a man in the act of hanging a picture, by Guercino, ?
Great ancient vase with its marble pedestal found at Hadrian`s Villa in 1769, ?
Great demonstration of the frame of the pedestal of Trajan`s Column, ?
Great gallery of statues in the middle of two large courtyards (the title and added copper), ?
Great plant entrance of the city of Pompeii and surrounding buildings, ?
Great view of the Curia Innocenziana, ?
Greek philosopher, ?
Ground plan of the Circus of Caracalla in today Capena outside the Porta S. Sebastian, in the two boards meet together, ?
Ground plan of the Circus of Caracalla in today Capena outside the Porta S. Sebastian, in the two boards meet together, ?
Ground plan of the Circus of Caracalla in today Capena outside the Porta S. Sebastian, in the two boards meet together, ?
Ground plan of the first precinzione the theater, the `orchestra with its steps, and the pulpit of the scene, and its parts, ?
Ground plan of the ground floor of the theater and the stage of stable, ?
Group of three women in the palace of the Villa Borghese, ?
Jesus To A Child to whom the Virgin kisses the hand, by Guercino, ?
Love chooses an arrow in the quiver, by Guercino, ?
God the Father with the globe in his hands, by Guercino, ?
Half figure of a woman holding out a flower, ?
Half figure of a woman sitting, ?
Cherub sitting next to a pitcher by Guercino, ?
Half-naked dancer, taken from a painting of ancient Pompeii, ?
Handles, knockers, hinges found in Pompeii, ?
Harpocrates, ?
Have set up modern pedestal stand by Benedict XIV, ?
Head of a Woman, ?
Head of old man with turban, ?
Niche in the Temple of Isis at Pompei, ?
Helmet and bronze gladiator leggings, ?
Helmets, dagger, quivers, poker, signs (from the pedestal of the Column of Trajan), ?
Hermes, ?
Holy Family, St. Josephus gives the child some fruit that points to an angel, ?
Holy Family: the Virgin seated on the ground feeding the Holy Child standing, ?
Household utensils, ?
Hylas stolen by the nymphs, which are available from P by an antique painting by Santi Bartoli, ?
Iconography of the ancient state of the Pantheon, ?
Iconography of the parts of the inner and outer tube or dome of the Pantheon, ?
Iconography of the present state of the Pantheon, ?
Idea of a real-Hall, ?
Idea of the ancient Via Appia and Ardeatina, ?
In large parts of the Trajan column, ?
In the House of Pompeii, once downstairs half-barrel, ch`ha The impostatura for the two longer sides, ?
In the House of Pompeii, once downstairs half-barrel, the ch`ha impostatura for the two longer sides, ?
In the House of Pompeii, the lower floor of the porch wall with openings on the side of the house and the garden looks, ?
In the House of Pompeii, the lower floor, wall of a room, ?
In the House of Pompeii, the upper floor wall of the first room of Bath, ?
In the House of Pompeii, Upper floor wall short dell`Antistufa, ?
In the House of Pompeii, upstairs portion of the short wall in the small courtyard of bathrooms, ?
Index of the first volume, ?
Index of the second volume, ?
Input of an old high school, ?
Inscriptions found in the buildings adjacent to the port city of Pompeii, ?
Inscriptions found in the excavation same without having a secure relationship Seize Scipios, ?
Inside the same building, ?
Inside the same temple, ?
Inside the tavern, ?
Inside the Temple, ?
Inside the Temple previous, ?
Insight into the coffee shop to use the English that is located at the Spanish Steps, ?
Interior of a shop to the right on entering the house aforesaid, ?
Interior of house Cavedio, ?
Interior of pronaos of the Temple itself, which looks toward the ground, ?
Interior of the Church of Our Lady of the Angels called the Charterhouse, which was once the principal room of the Baths of Diocletian, ?
Interior view of `the same tomb ustrinum, ?
Interior view of the Basilica of St. John Lateran, ?
Interior view of the Basilica of St. Maria Maggiore, ?
Interior view of the Basilica of St. Peter in the Vatican, ?
Interior view of the Basilica of St. Peter in the Vatican near the Grandstand, ?
Interior view of the city of Pompeii with side porches, ?
Interior view of the Colosseum, ?
Interior View of the Flavian Amphitheatre, called the Colosseum, ?
Interior view of the Pantheon, ?
Interior view of the Pantheon commonly known as the Rotunda, ?
Interior view of the pronaos of the Pantheon, ?
Interior view of the Temple, ?
Interior view of the Temple of the Cough, ?
Interior view of the tomb of St. Constance made by Constantine the Great and erroneously called the Temple of Bacchus, now in the church of the same Holy, ?
Interior view of the Villa of Maecenas, ?
Ionic capitals of Rome (S. Maria in Trastevere, St. Paul, St. George in Velabro, St. Saba, etc.), ?
Jars of clay and glass found in Pompeii, ?
Jars of clay and glass found in Pompeii, ?
Jesus carried to Calvary, ?
Jesus carried to Calvary, ?
Jesus carried to Calvary, ?
Cupid looking to burn the bow and arrows by Guercino, ?
Jesus praying on the Mount of Olives, ?
Virgin with Jesus and John the Baptist, ?
Joke of putti, ?
Juno, ?
Jupiter, ?
Jupiter and Antiope Palma, ?
Jupiter and Ganymede, ?
Jupiter Love Shakes, ?
Kitchen utensils, ?
Laocoon, ?
Large bronze paten destined to the worship of Mars at Pompeii (inc. in outline), ?
Large part of the magnificent doorway, ?
Large urn with reliefs of the labors of Hercules, and cover in the form of bier (Plazza Orsini), and a lamp of brass, ?
Lateral part of the Pantheon remains of the Baths of Agrippa which are supported, ?
Leftovers behind the pronaos of which the above table, ?
Lights of glasses, or measures established by the ancients to the granting of water pipelines, ?
Location of the Circus Maximus, ?
Longitudinal section of the staircase leading to the tomb aforesaid, ?
Lot, by Guido Reni, ?
Half figure depicting a priest with the holy water, by Guercino, ?
Love triumphant, ?
Lovers Bordone, ?
Madonna and Child, ?
Madonna and Child with St. John the Baptist, ?
Map of Rome and the Campus Martius with the relevant Index and dedication to Clement XIII in three sheets, and title listed, ?
Map of Rome and the Campus Martius with the relevant Index and dedication to Clement XIII in three sheets, and title listed, ?
Map of Rome and the Campus Martius with the relevant Index and dedication to Clement XIII in three sheets, and title listed, ?
Map of Temple Toscano and column bases (by Vitruvius, second Perrault), ?
Map of the Antonine column, ?
Marble table found in the triclinium of the Priests, and bolt the door of the cell of the Temple of Isis (inc. in outline), ?
Marble tomb found in 1765 on the Via Labicana together with two vases and a lamp, ?
Marble tripod dedicated to Apollo, found in the Villa of Cicero Tuscolana, ?
Mars, ?
Mars seated, ?
Matches of wood that closed the door itself, ?
Mausoleum of Santa Elena, ?
Meander to the floor in mosaic found in the country house, ?
Meleager, ?
Meleager and Atalanta, ?
Memberships of ancient baths with stairs leading to the Gymnasium and the Theatre, ?
Mercury, ?
Mercury, ?
Mercury and Psyche, ?
Metal mirrors, hairpins, pins and other toilet articles, ?
Metal pin in the room, ?
Miracles worked by a saint, ?
Modesty and Vanity, ?
Modinatura in great internal order of the first of the Pantheon, ?
Modinature frames, ?
Modinature in large parts of the Temple of Honor and Virtue, ?
Moldings of the same monument, ?
More insight into the workshop in the following table, ?
Moses, the Tablets of the Law, ?
Musaico floor-length in the country house of Stella, ?
Nativity, ?
Nativity, ?
Neptune, ?
Neptune and Thetis, ?
Niobe and her daughter, ?
ntique vase of marble with intertwining vines and pine and the figure of a wolf, ?
Obelisk lateran, ?
Old Capitol that was lit for about one hundred steps, ?
Old man`s head in profile, ?
Old man`s head in profile, ?
The Virgin and Child in half-figure in her arms, from Guercino, ?
One of the Dioscuri of the Quirinal, ?
One side of the sedan, a dresser, and various other objects and decorative details, ?
Orc, Lucina and Morandini, by Giovanni Lanfranco, ?
Orestes and Electra, ?
Original sin and expulsion from the Garden of Eden, ?
Ornaments and accessories of the same Tavern, ?
Orpheus, ?
Other greek marble bas-relief with Hercules and Omphale, exists in the same Museum (inc F Piranesi), ?
Other shells, and Greek vases etched outline, ?
Other similar basins, found in Pompeii, ?
Other statement of the curule chair, already illustrated in the preceding tables, ?
Other vertical sections of the castle and plant, ?
Other weapons and armor, different from the above table, ?
St. Jerome in the act of writing, by Guercino, ?
Overview of the Capitoline Lapides, ?
Pan and Syrinx, ?
Paris sat, ?
Part of a wall of marble found in Hadrian`s Villa in 1779, decorated like a pillar, with arabesques, figures of Bacchae and animals, and a terracotta frieze, ?
Part of the ancient Via Appia outside the Porta of St. Sebastian about three miles, ?
Part of the ancient Via Appia outside the Porta St. Sebastian about three miles, ?
Part of the back of the Pantheon with the remains of the Baths of Agrippa which are supported, ?
Parts of the Forum of Nerva, ?
Paterae, and utensils with a handle to draw water, found in Pompeii, ?
Pedestal and base of Trajan`s Column, ?
Pedestal of the same relief (two branches), ?
Pedestal of the same relief (two branches), ?
Pedestal of Trajan`s Column, ?
Perspective angle of the same vessel, ?
Perspective of New Square in Padua, ?
Perspective of New Square in Padua, ?
Perspective of New Square in Padua, ?
Perspective of one of the sides, and construction details of the five branches of the orifice of the aqueduct, ?
Perspective of the front of the Castle Ruins, ?
Perspective of the rear, ?
Perspective of the ruins of the aqueduct, ?
Perspective of the same monument, ?
Perspective view, ?
Perspective view of a hotel, ?
Perspective view of Thermopolium, ?
Piano prospettico del capitello all`ingresso della casa prospiciente la Basilica, ?
Piazza San Pietro, ?
Pieces of columns and capitals, ?
Pieces of columns and capitals, ?
Pieces of columns, capitals, fragments of marble friezes and ornaments, ?
Piedeistallo other side of the relief (two branches), ?
Plan and cross section of the first tavern, ?
Plan and elevation of a restaurant, ?
Plan and elevation of the castle ruins stripped of any building addition, ?
Plan and elevation of the kitchen in the same, ?
Plan and elevation of the monument of the Waters and Julia Marcia Tepula Porta St. Lorenzo, ?
Plan and elevation of the second tavern on the right, ?
Plan and elevation of the second Temple Tuscan Vitruvius, ?
Plan and elevation rear of the Temple of the Sibyl at Tivoli, ?
Plan and sections of the Hypogeum of the Scipios, ?
Plan and vertical sections of the castle, ?
Plan broad, magnificent ancient College Gyms formed over the idea of `the Greeks, and Thermal de` Romani, ?
Plan in the great Temple of Isis, ?
Plan of a two-story house, ?
Plan of the existing factories in the Villa Adriana, with a dedication to St. M Stanislaus Augustus, King of Poland, ?
Plan of the existing factories in the Villa Adriana, with a dedication to St. M Stanislaus Augustus, King of Poland, ?
Plan of the existing factories in the Villa Adriana, with a dedication to St. M Stanislaus Augustus, King of Poland, ?
Plan of the existing factories in the Villa Adriana, with a dedication to St. M Stanislaus Augustus, King of Poland, ?
Plan of the existing factories in the Villa Adriana, with a dedication to St. M Stanislaus Augustus, King of Poland, ?
Plan of the existing factories in the Villa Adriana, with a dedication to St. M Stanislaus Augustus, King of Poland, ?
Plan of the first and second floor of that museum, ?
Plan of the first and third floors of the three-story house, ?
Plan of the Palace of Sans-Souci, ?
Plan of the Temple of Vesta in Tivoli, ?
Plan of the tomb of Mamia and outbuildings, in Pompeii, ?
Plan of Tuscan atrium of the Cavedio house, ?
Plan, elevation and details of Doric temples in Greece (from Le Roy), ?
Plan, elevation and details of Doric temples in Greece (from Le Roy), ?
Plan, elevation and details of Doric temples in Greece (from Le Roy), ?
Plans of elevations and sections of Thermopolium, ?
Plants related to the houses opposite to that of the Surgeon, ?
Pluto, ?
Pluto and Proserpina, ?
Porch View of the insignia Vatican Basilica and Piazza adjacent coll`ampio, ?
Porches pulled around a hole of the Royal Palace, ?
Portrait of Pope Clement XIII (Clemens Decimustertius Venetus Pontifex Maximus), ?
Portrait of small Strozzi, ?
Portrait of unknown Bassano, ?
Prisoners on a Projecting Platform, ?
Profile of wheelchair, ?
Profile section of the monument, ?
Profiles and sections of the ship above, ?
Profiles in large Doric order constituting the bottom of the tomb of Mamia, ?
Profiles in large Ionic order forming the upper part of the tomb, ?
Proof of the main door of the house facing the Basilica and the capital of the door of the house three Shaft, ?
Prospect of a royal courtyard with a loggia in the middle, ?
Prospectus of the same chair, ?
Prospectus outside the Monument of the neck cross-section of the Scipios` Sarcophagus of Scipio Barbato and of Cornelia Hall, ?
Prospetto anteriore del Tempio Vaticano venduto nelle sere di Giovedì del Venerd Santo al chiarore della gran Croce di metallo illuminata, disegno di L Despres, ?
Psyche pruned to Heaven by Love, ?
Old Weeping (half length) by Guercino, ?
Pyramid of Caius Cestius, ?
Rape of Europe, ?
Cherub sitting in the act of covering, by Guercino, ?
Reconstruction of the column referred to in the preceding tables, and various medals of Antoninus and Faustina, ?
Reconstruction of the edifice supported by caryatids found in 1765 in the Vineyard off-Strozzi Port St Sebastian, ?
Reconstruction of the Temple of Isis, ?
Release of a prisoner, ?
Remains of a covered porch, or cryptoporticus, in a villa of Domitian five miles distant from Rome on the Via Frascati, ?
Remains of a hall belonging to the Villa Adriana Castro Pretorio in Tivoli, ?
Remains of an ancient tomb, now called the distaff, which is seen not far from Port of Capua to go to Naples, ?
Remains of ancient buildings including the Urn Burial Evvia porphyry of Marcus Agrippa, ?
Remains of aqueducts Neroniani, ?
Remains of columns making up the side porches of the Temple in the cell above, ?
Remains of the Temple of Apollo said in Hadrian`s Villa near Tivoli, ?
Remains of the Temple of Jupiter Stator, ?
Remains of the Temple of Neptune`s cell, ?
Remains of the Temple of the God Canopus in Hadrian`s Villa at Tivoli, ?
Remains of the Temple of the same cell, ?
Remains of the Villa of Maecenas at Tivoli, ?
Reports and symmetries of Greek taken from ancient monuments, ?
Rest on the Flight into Egypt, ?
Restored in large parts of the trophies of Octavian Augustus, ?
Reversal of the Temple of Pola in Istria, and other Temple, ?
Rimini bridge manufactured by the Emperors Augustus and Tiberius, ?
River Nile, ?
Rome. Porta Maggiore., ?
Room use of the ancient Romans with columns and niches adorned with statues, ?
Ruins of an ancient tomb placed before other ruins of an aqueduct, ?
Ruins of Egyptian and Greek Architecture, ?
Ruins of one of the chambers` soldiers at one of the leading factories in Hadrian`s Villa in Tivoli His, ?
Ruins of Sixtus, or both of the great hall of the Antonine Baths, ?
Ruins of the ancient fortifications of the mountain and the city of Cora in Lazio (the Cyclopean Walls), ?
Ruins of the Antonine Baths, ?
Ruins of the Temple de `Beavers in the town of Cora, ?
St. Francis in Prayer, ?
Saturn, ?
Scenic view of the aforementioned kitchen, ?
Second floor plan of the three-story house, ?
Section along the Pantheon, which shows the pronaos or portico and the interior of the Temple, ?
Section as above, the main door and window, ?
Section as above; burial chamber and entrance of the scale, ?
Section as above; start of scale, ?
Section of the house, ?
Section of the house, ?
Section of the Pantheon, ?
Section of the pedestal and base of the column itself, the main door and window, ?
Senators today said Bridge Broken Bridge, ?
Set design elevations and the Temple of Concordia in Agrigento, ?
Set of stairs decorated with magnificent architecture, ?
Several adorned the walls, vaults and floors in mosaic, existing in the cam of the Opera House for the decorations of Pompeii, ?
Several capitals and a bas-relief (Farnese Gardens, Villa Barberini, etc.), ?
Several capitals and a frieze of Roman Villas, ?
Shelf, capitals, friezes, etc., ?
Side and gable of the Temple Tuscany (by Vitruvius, second Perrault), ?
Side of the Sarcophagus of Scipio Barbato and the monument of Cornelia Hall, ?
Side of the Temple of Honor and Virtue, ?
Side of the Temple of Vesta in Tivoli, ?
Side View of the Temple, ?
Side View of the Temple of Juno, ?
Signifer Corniculario with various signs and Roman (from the Trajan column), ?
Silenus with Bacchus, ?
Similar to the above subject (painting vessel, inc. To outline), ?
Similar to the above subject (painting vessel, inc. To outline), ?
Situla bronze to three feet (inc. in outline), ?
Six sides of sedans, two panels, two tripods, two tables to the wall, ?
Sleeping Faun - Barberini, ?
Sleeping old man, ?
Spinario, ?
Split and elevations of the Tavern of the Priapus, ?
Split of the buildings represented in the table above, ?
Split of the house aforesaid, ?
Split of the theater, and stage stable supple, and machine of wood, and painted canvases sosteneua of classrooms, and curtain, ?
Split on the previous plan, ?
Split, showing the scene compensate for their stable, and the opposite of `classrooms, and the temporary suspension of the curtain, ?
Split, showing the scene in front of building, and stairs, which ascend to the second precision, ?
St. Anne, the Virgin and Child Jesus, ?
Putto standing in place to clothe itself, by Guercino, ?
Rebecca at the Well, by Guercino, ?
St. Jerome, by Guido Reni, ?
Christ presented to the people by Pilate, and a soldier, by Guercino, ?
St. Joseph, Child Jesus between his knees, hands him an apple, ?
Apollo and Silenus, ?
St. Teresa with Child Jesus, ?
Stand in the town of Cora embedded in the wall of the house of Mr Antonio Corbi, ?
Statement of the Pantheon supplied to it`s ornaments, ?
Statement of the Sarcophagus of Scipio Barbato and the monument of Cornelia Hall, ?
Statement of the Temple of Honor and Virtue out of Port St Sebastian, ?
Statue of Vesta, or Mother Earth situated in the Villa Este in Tivoli, ?
Statue of Vesta, or Mother Earth situated in the Villa Este in Tivoli, ?
Half figure of seated woman, her face resting on his right hand, by Guercino, ?
Symbolic struggle of Cupid and Pan, ?
Table text: Following the inscriptions referred to in the previous plate and index tables contained in the work, ?
Table text: Registrations that are in the monuments of this collection, ?
Taurus Group Franese, ?
Tavern in the same perspective of Sterquilinium, ?
Tavern on the right inside of the second, ?
Temple of Castor and Pollux, ?
Temple of Ceres and Faustina, ?
Temple of Ceres and Faustina, ?
Temple of Clitunno, ?
Temple of Janus, ?
Temple of Jupiter the Thunderer and the Temple of Concord, ?
Temple of Minerva Medica (inc by Francesco Piranesi), ?
Temple of Pola in Istria, ?
Terracotta urn vase you see in the collection of drawings of Cavalier Ghezzi in the Vatican Library, ?
The Antonine column originally, at the time of Sixtus V, and after restoration, ?
The Arch with a Shell Ornament, ?
The basis of the same pedestal, ?
The birth of Erechtheus, ?
The Birth of Venus, ?
The Blessed Virgin and St. Child appear three religious kneeling, ?
The Virgin standing, half-length, with the Child Jesus holding a flower, by Guercino, ?
The burial statue, ?
The Castle of the Acqua Felice, ?
The Castle of the Acqua Paola on the Golden Mount, ?
The chariot of the sun, from 'Aurora' of Guido Reni, ?
The Corso in Rome, ?
The creation of man, ?
The creation of woman, ?
The Death of St. Cecilia, ?
The Deposition of Michelangelo da Caravaggio, ?
The Deposition, by Daniele da Volterra, ?
The destruction of Pompeii, ?
The Drawbridge, ?
The Feast in the House of Simon the Pharisee, ?
The Giant Wheel, ?
The Gothic Arch, ?
The Grand Piazza, ?
The grinder, ?
The Lion Bas-Reliefs, ?
The Madonna and Child, ?
The Madonna with Child and St. John the Baptist, ?
The Man on the Rack, ?
The Marriage of Alexander and Rossana, ?
The Marriage of Meleager and Atalantada Carav, ?
The Marriage of St. Catherine, ?
The mouth of the Cloaca Maxima, ?
The Nereids, by Francesco Albani, ?
The Pier with a Lamp, ?
The Pier with Chains, ?
The Presentation in the Temple, ?
Nereides, ?
The Roman antiquities, t. 2, Plate L. Inscriptions de `Praetorian soldiers, found in the Villa de `Five., ?
The Roman antiquities, t. 2, Plate LI. Registration of `Soldiers Praetorian guards., ?
The Roman antiquities, t. 2, Plate LII. Registration of `Soldiers Praetorian guards., ?
The Roman antiquities, t. 2, Plate LIII. Registration of `Soldiers Praetorian guards., ?
The Roman antiquities, t. 2, Plate LIV. Registration of `Soldiers Praetorian guards., ?
The Roman antiquities, t. 2, Plate LIX. Plan and elevation of factory magnificent tomb outside Porta Maggiore located near Torre de `Schiavi., ?
The Roman antiquities, t. 2, Plate LV. Plan and the existing fragments of the burial chamber in the Vineyard Gate S. Casali Sebastiano., ?
The Roman antiquities, t. 2, Plate LVI. Interior view of the burial chamber in the Vineyard Gate S. Casali Sebastiano., ?
The Roman antiquities, t. 2, Plate LVII. Urns, memorials and vases of marble ashtray in the Villa Corsini outside Porta S. Pancrazio., ?
The Roman antiquities, t. 2, Plate LVIII. Pile of marble urns, existing in the Villa Corsini outside Porta S. Pancrazio., ?
The Roman antiquities, t. 2, Plate LX. A view of the magnificent tomb near the remains of the factory in Torre de `Schiavi outside Porta Maggiore., ?
The Roman antiquities, t. 2, Plate LXI. Plan of the Mausoleum of Augustus., ?
The Roman antiquities, t. 2, Plate LXII. Cutaway view of the Mausoleum of Augustus., ?
The Roman antiquities, t. 2, Plate LXIII. Remains of the Mausoleum of Augustus., ?
The Roman antiquities, t. 2, Plate XLIV. Interior view of the burial chamber in the Vineyard Gate S. Casali Sebastiano., ?
The Roman antiquities, t. 2, Plate XLIX. Inscriptions and fragments of the burial chambers of the Villa de `Five., ?
The Roman antiquities, t. 2, Plate XLV. Fragments of the burial chamber opposite the Church of St. Sebastian outside the walls (figures carved from Barbault)., ?
The Roman antiquities, t. 2, Plate XLVI. Fragments of the burial chamber opposite the Church of St. Sebastian outside the walls (figures carved from Barbault)., ?
The Roman antiquities, t. 2, Plate XLVII. View the remains of some existing burial chambers on the ancient Via Appia outside the Porta S. Sebastiano., ?
The Roman antiquities, t. 2, Plate XLVIII. Plan of some burial chambers discovered the year 1751 in the Villa of the five located outside Porta Salaria near Grotta Pallotta., ?
The Roman antiquities, t. 3, Plate I. Cover Page. Over a large cinerary urn broken bones and between the lamps, and recorded the title., ?
The Roman antiquities, t. 3, Plate II. Following the above table., ?
The Roman antiquities, t. 3, Plate III. Part of the ancient Appian Way about five miles from the Porta S. Sebastiano., ?
The Roman antiquities, t. 3, Plate IV. Part of the great Wall, which surrounded the large area of `Ustrine., ?
The Roman antiquities, t. 3, Plate IX. Plan of the tomb outside Porta S. Sebastian on the ancient Appian Way in the Vineyard of the Buonamici from Capo di Bove., ?
The Roman antiquities, t. 3, Plate L. Plan and construction details of the Mausoleum of Cecilia Metella., ?
The Roman antiquities, t. 3, Plate LI. Part of the facade of the Tomb of Cecilia Metella Take ornaments that exist today., ?
The Roman antiquities, t. 3, Plate LII. View of the back side of the Mausoleum of Cecilia Metella., ?
The Roman antiquities, t. 3, Plate LIII. Marble urn with a lid found in the Mausoleum of Cecilia Metella., ?
The Roman antiquities, t. 3, Plate LIV. Way in which they were raised big travertine, marble and other produce in the large tomb of Cecilia Metella., ?
The Roman antiquities, t. 3, Plate LV. The pincers of Vitruvius., ?
The Roman antiquities, t. 3, Plate V. Construction details of walls Entries Ustrine., ?
The Roman antiquities, t. 3, Plate VI. View the remains above ground of the ancient Ustrine and relevant to the same factories., ?
The Roman antiquities, t. 3, Plate VII. View of the ancient Appian Way, which passes under the walls of `Ustrine., ?
The Roman antiquities, t. 3, Plate VIII. View the remains of `Mausoleums and tombs scattered factories on the Appian Way, five miles from the Porta S. Sebastiano., ?
The Roman antiquities, t. 3, Plate X. Tomb of the three brothers in Albano Curiazj., ?
The Roman antiquities, t. 3, Plate XI. Membership of the Mausoleum of the Family in Ponte de Plauzij Lugano., ?
The Roman antiquities, t. 3, Plate XII. View of the Family Tomb of Plautius on the road leading from Rome to Tivoli near Ponte Lugano., ?
The Roman antiquities, t. 3, Plate XIII. Plan of the Tomb of Plautius Family Via Tiburtina near Ponte Lugano., ?
The Roman antiquities, t. 3, Plate XIV. View of a tomb outside Porta del Popolo on the ancient Via Cassia called by the vulgar: the tomb of Nero., ?
The Roman antiquities, t. 3, Plate XIX. Grand porphyry urn with a lid, found in the Mausoleum of S. ta Elena and currently in the Cloister of St. Thur. Lateran., ?
The Roman antiquities, t. 3, Plate XL. View of the Pyramid of Caius Cestius., ?
The Roman antiquities, t. 3, Plate XLI. Registration of the Mausoleum of Caius Cestius., ?
The Roman antiquities, t. 3, Plate XLII. Following the pre-registration., ?
The Roman antiquities, t. 3, Plate XLIII. Nuts, fragments of sculpture, columns, capitals found in excavations around the pyramid of Caius Cestius., ?
The Roman antiquities, t. 3, Plate XLIV. Pyramid of Caius Cestius map at the Port of St. Paolo., ?
The Roman antiquities, t. 3, Plate XLIX. Decorative details of the walls of the room above., ?
The Roman antiquities, t. 3, Plate XLV. Cross-section of the Pyramid of Caius Cestius., ?
The Roman antiquities, t. 3, Plate XLVI. Inner wall of the Pyramid of Caius Cestius`s Room., ?
The Roman antiquities, t. 3, Plate XLVII. Decorative details of the walls of the room above., ?
The Roman antiquities, t. 3, Plate XLVIII. Decorative details of the walls of the room above., ?
The Roman antiquities, t. 3, Plate XV. View of a large boulder, a relic of the Tomb of the Family? Metelli on the Appian Way about five miles from the Porta S. Sebastian, in the Hamlet of S. Maria Nuova, etc., ?
The Roman antiquities, t. 3, Plate XVI. Plan and section of the Mausoleum of S. Emperor Constantine`s mother Helena ta, on the Via Labicana., ?
The Roman antiquities, t. 3, Plate XVII. Circumference of the earth and plant the previous exterior façade of the mausoleum., ?
The Roman antiquities, t. 3, Plate XVIII. A view of the same mausoleum., ?
The Roman antiquities, t. 3, Plate XX. Plan, elevation and cross section of a tomb on the ancient Appian Way in the Vineyard Buonamici., ?
The Roman antiquities, t. 3, Plate XXI. Plan of the burial chambers of `freedmen and servants of the family of Augustus, situated on the Appian Way a mile from the Port of St. Sebastiano., ?
The Roman antiquities, t. 3, Plate XXII. View the remains of burial chambers above., ?
The Roman antiquities, t. 3, Plate XXIII. Cutaway view of the previous burial chambers., ?
The Roman antiquities, t. 3, Plate XXIV. More insight into the burial chambers above (Drawing by Antonio Buonamici, inc. By Girolamo Rossi)., ?
The Roman antiquities, t. 3, Plate XXIX. Fragments of sculptures and various objects found in burial chambers above., ?
The Roman antiquities, t. 3, Plate XXV. Details of the ornaments of the burial chambers above (inc. by Girolamo Rossi)., ?
The Roman antiquities, t. 3, Plate XXVI. View in perspective of a previous goal of the burial chamber (Drawing by Antonio Buonamici, inc. By Girolamo Rossi)., ?
The Roman antiquities, t. 3, Plate XXVII. Urns, vases, sarcophagi and various objects found in burial chambers above (figures carved from Barbault)., ?
The Roman antiquities, t. 3, Plate XXVIII. Stones, sarcophagi and other objects found in burial chambers above., ?
The Roman antiquities, t. 3, Plate XXX. Inscriptions, sarcophagi and other objects found in burial chambers earlier, etc.., ?
The Roman antiquities, t. 3, Plate XXXIX. Interior view of the room adjacent to the burial chambers above., ?
The Roman antiquities, t. 3, Plate XXXVIII. Plan of the rooms adjoining the burial chambers above., ?
The Roman antiquities, t. 4, Plate I. Cover Page. Over a large cylindrical pillar decorated with a high relief with figures of sacrificing, the title in embossed letters., ?
The Roman antiquities, t. 4, Plate II. According to the title. On the bank of a river a great colonnade through which you can see a bridge and monumental buildings of the opposite bank., ?
The Roman antiquities, t. 4, Plate III. Table of Contents Volume in this quarter., ?
The Roman antiquities, t. 4, Plate IV. View of the Bridge and the Mausoleum, manufactured by Elio Emperor Adrian., ?
The Roman antiquities, t. 4, Plate IX. Following the above table., ?
The Roman antiquities, t. 4, Plate L. Vista of the menagerie of wild beasts made by Domitian to use the amphitheater., ?
The Roman antiquities, t. 4, Plate LI. Vista in large parts of the Temple of Fortuna Virile., ?
The Roman antiquities, t. 4, Plate LII. Vista in large parts of the Temple of Fortuna Virile., ?
The Roman antiquities, t. 4, Plate LIII. Map of the menagerie of wild beasts made by Domitian., ?
The Roman antiquities, t. 4, Plate LIV. Section of the menagerie of wild beasts made by Domitian., ?
The Roman antiquities, t. 4, Plate LV. Vista of some of the great parts of the first order of the seraglio of the fairs `manufactured by Domitian., ?
The Roman antiquities, t. 4, Plate LVI. Silvano remains of a Board of Aurelian., ?
The Roman antiquities, t. 4, Plate LVI. Vista of some of the great parts of the second order of the seraglio of the fairs `manufactured by Domitian., ?
The Roman antiquities, t. 4, Plate V. Plan of the Mausoleum of Hadrian and Bridge St. Angel., ?
The Roman antiquities, t. 4, Plate VI. Construction details of the Mausoleum of Hadrian and d`Elio Bridge St. Angelo and their foundations., ?
The Roman antiquities, t. 4, Plate VII. Following the above table., ?
The Roman antiquities, t. 4, Plate VIII. Cutaway view of the Mausoleum of Hadrian and the Elio Bridge St. Angel., ?
The Roman antiquities, t. 4, Plate X. Cutaway of the spurs that serve as buttresses to the great foundation of the Mausoleum of Adrian `helium., ?
The Roman antiquities, t. 4, Plate XI. View of the underground foundation of the Mausoleum of Adrian`s helium., ?
The Roman antiquities, t. 4, Plate XII. View of an entrance to the upper room into the boulder burial d`Elio Adriano., ?
The Roman antiquities, t. 4, Plate XIII. Cross-section and construction details of Bridge St. Angel etc.., ?
The Roman antiquities, t. 4, Plate XIV. View of Bridge St. Angel, from the Castle towards the road of Banks., ?
The Roman antiquities, t. 4, Plate XIX. Plan, elevation and details of construction of the Bridge of Four Heads., ?
The Roman antiquities, t. 4, Plate XL. Surplus of the front interior of the Portico of Octavia, his section, foundation and construction details., ?
The Roman antiquities, t. 4, Plate XLI. View of one of the sides of the front of the Portico d`Ottavia, its width and construction details., ?
The Roman antiquities, t. 4, Plate XLII. Vista of some of the great parts of the façade of the main entrance of the Portico d`Ottavia., ?
The Roman antiquities, t. 4, Plate XLIII. Vista of some of the great parts of the Portico d`Ottavia., ?
The Roman antiquities, t. 4, Plate XLIV. Plan of the Temple of Juno in the Portico d`Ottavia., ?
The Roman antiquities, t. 4, Plate XLIV. Vista of modinatura big frame on the opposite side of the facade of the portico of Octavia., ?
The Roman antiquities, t. 4, Plate XLIX., ?
The Roman antiquities, t. 4, Plate XLV. Temple of Juno in the Portico d`Ottavia., ?
The Roman antiquities, t. 4, Plate XLV. Vista of the great capitals of the columns of the Temple of Juno in the Portico d`Ottavia., ?
The Roman antiquities, t. 4, Plate XLVI. Proof of the Portico of Philip the advanced., ?
The Roman antiquities, t. 4, Plate XLVII. Vista of the advanced `arcades were the first to Septi Giulj., ?
The Roman antiquities, t. 4, Plate XLVIII., ?
The Roman antiquities, t. 4, Plate XV. Map of the Tiber Island and the two bridges that lead to it., ?
The Roman antiquities, t. 4, Plate XV. View the progress of one of the stacks of the Triumphal Bridge., ?
The Roman antiquities, t. 4, Plate XVI. A view of the portion of the ship built and planted before the Travertine substructures of the Temple of Aesculapius Tiber Island., ?
The Roman antiquities, t. 4, Plate XVII. View of the Bridge of the Four Heads Fabrizio said today., ?
The Roman antiquities, t. 4, Plate XVIII. Inscriptions in Bridge of Four Heads., ?
The Roman antiquities, t. 4, Plate XX. Cutaway view of the Bridge of Four Heads., ?
The Roman antiquities, t. 4, Plate XXI. Other split, profiles and details of the Bridge of Four Heads., ?
The Roman antiquities, t. 4, Plate XXII. View of the Bridge Cestius., ?
The Roman antiquities, t. 4, Plate XXIII. Plant and inscriptions of Cestius Bridge., ?
The Roman antiquities, t. 4, Plate XXIV. Elevation of the bridge and its foundations Cestius., ?
The Roman antiquities, t. 4, Plate XXIX. Following the above table., ?
The Roman antiquities, t. 4, Plate XXIX. Following the above table., ?
The Roman antiquities, t. 4, Plate XXV. Bridge cross-section of Cestius., ?
The Roman antiquities, t. 4, Plate XXV. Plan of the Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXVI. Another plan of the Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXVII. One of the fragments of the ancient map of Rome showing the layout of the stage of the Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXVIII. External façade of the advancement of circular arches of the Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXX, ?
The Roman antiquities, t. 4, Plate XXXI. Section one of the wedges of the Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXXII. Following the above table., ?
The Roman antiquities, t. 4, Plate XXXIII. Vista of a first class part of the arcades of the Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXXIV. Vista of some of the great parts of the first order of the Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXXIX. Plans and elevations of the remains of the Portico d`Ottavia., ?
The Roman antiquities, t. 4, Plate XXXV. Great Vista of some of the Doric order of the second `Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXXV. Great Vista of some of the first order of the Doric of the Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXXVI. Vista of a second part of the arcades of the Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXXVII. Vista of the second-largest share of the Theatre of Marcellus., ?
The Roman antiquities, t. 4, Plate XXXVIII. Vista of today`s surplus of the Theatre of Pompey., ?
The Round Tower, ?
The Sawhorse, ?
The Sibyls in the Church of St. Our Lady of Peace, ?
The Smoking Fire, ?
The so called `Warwick Vase`, an famous antique marble object, found in Tivoli, Italy, in 1771, ?
The So called Temple of Salus, on the Road to Albano, ?
The Staircase with Trophies, ?
The substructures of the Capitol and the Tarpeian Rock, ?
The Temple of Isis de face, with the two wings of his peristillo, ?
The Temple of Isis de face, with the two wings of his peristillo, ?
The theater of Herculaneum / the majesty of King Gustav III of Sweden, ?
The title page bearing the inscription de la Villa Altoviti Paintings in Rome in ventees Michelange par, par Peintesa Giorgio Vasari, Thomas et par gravees Pegs. Faisant partie de la Piranesi Chalcographie in Paris, Elder 1807, ?
The Transfiguration, by Raphael, ?
The Trevi Fountain in Rome, ?
Study for the Adulteress: half figure with folded arms, from Guercino, ?
Cherub, half-length, by Guercino, ?
The Virgin and Child in half-figure in her arms, from Guercino, ?
The Virgin and Child seated on the clouds of blessing, by Guercino, ?
Baptism of Clorinda, by Guercino, ?
The Windmill at Castel S. Angelo, design of L Despres, ?
The Windmill at Castel S. Angelo, design of L Despres, ?
The Windmill at Castel S. Angelo, design of L Despres, ?
Theatre of Marcellus, ?
Three candlesticks, a vase and two stones, ?
Three chandeliers made from ancient bas-reliefs of which two, ?
Three clocks and three candelabra, ?
Three clocks, two chairs, a chandelier, ?
Three fragments found in the Villa Adriana in Tivoli (inc F Piranesi), ?
Title page, ?
Title page bears the inscription: "Antiquites de Pompeia, Tome second," a shot of the Egyptian style; down musical instruments, ?
Title page with a dedication to Pope Pius VI, ?
Title page with the above written on a sign behind Doric columns, ?
Title Plate, ?
Tomb of Cecilia Metella, ?
Tomb of Cecilia Metella said Capo di Bove, ?
Tomb of the family of `Scipios, ?
Tomb of the three brothers in Albano Curiatii, ?
Tombstones of famous people found in Cornelia `Hypogeum of the Scipios, ?
Tools for masonry and agriculture, ?
Tools of builder, ?
Topography of the factories discovered in the city of Pompeii, with a dedication to St. M King Gustavus Adolphus of Sweden, ?
Topography of the two times of Vesta and the Sibyl in Tivoli with their respective sections, and raised, ?
Trajan`s Column, ?
Transverse and longitudinal sections of the Temple of Isis and adjacent parts, ?
Tripod marble bas-relief of the Capitoline Museum and the Villa Lante on the Janiculum, ?
Tripod or ancient marble altar found at Ostia in 1775 (Vatican Museums), ?
Tripod with satyrs, found at Pompeii (inc. in outline), ?
Tripod with Sphinxes, found at Herculaneum (inc. in outline), ?
Trireme Roman with marble pedestal, ?
Triumphal bridge, ?
Trophies of the Dacians, Sarmatians and other peoples of the allies in the band and carved into the pedestal of Trajan column, ?
Trophy of Augustus existing on the Capitol Square removed from the ruins of the arches of the Castle, ?
Trophy of the ancient marble Clementino at the Vatican Museum, which was found in 1772, ?
Two Bacchantes dancing, ?
Two bases of Columns (Paul`s Basilica, Baptistery of Constantine), ?
Two capitals and a column base, remnants of ancient buildings in the town of Cora, ?
Two cherubs with the Holy Face and the head of St. John the Baptist, ?
Two clocks and a chair Two sides of the sedan, and a chest, ?
Two fireplaces overlapping: the inf with Medusa heads between two swans, with the support heads of Aries, ?
Two fireplaces overlapping: the support auletridi with two sides, and numerous figures in the frieze contained a garland strung between two eagles, the inf with a tragic mask, ?
Two fireplaces overlapping: the support with a mask of Medusa in a shell, the inf with an eagle in profile and heads of satyrs with garlands, ?
Two fireplaces overlapping: the support with a mask wreathed crouched between two greyhounds, ?
Two fireplaces overlapping: the tragic masks with 3 inf Joined torches, with the support 4 caryatids sorreggenti bucranes, ?
Two fireplaces superimposed with the support 4 in the chariot race in the circus, the inf with 2 swans that drink in a vase, ?
Two fireplaces superimposed with the support cameos and sphinxes in the frieze at the foot of the sides, curved sides with the inf decorated with figures of 4 bases bucranes, ?
Two friezes, ?
The Virgin and Child with St. John, by Guercino, ?
Two ornamental marble friezes and six fragments (Aldobrandini and Villa Albani), ?
Two sides of sedan chairs, two tables to the wall, nine chandeliers, ?
Two sides of sedan chairs, two tables to the wall, two clocks, three coffee makers, a frieze, ?
Urn of marble containing the remains of Lucius Aurelius Terenten and his wife, found in 1766, ?
Urn of marble Lucius Calvin, ?
Urn of marble with its lid, ?
Urn vase with Bacchae and Divinity, ?
Various bases and a stem of columns, ?
Various capitals (St. John Lateran, St. Mary in Cosmedin, S. Lorenzo fm etc.), ?
Various capitals (Villa Albani, S Prisca, Praxedes S, S Clement, etc.), ?
Various capitals, column (Villa Albani, St. Clement, St. Cosmas, etc.), ?
Various capitelli, ?
Various shells taken from the real, ?
Vase with ancient marble griffins and ribbing, ?
Vases and toiletries, found in Pompeii, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Vedute di Roma, ?
Veiled matron, ?
Venus, ?
Venus, ?
Venus and Anchises, ?
Venus and Cupid, ?
Venus and Jupiter, ?
Venus and Mars, ?
Venus and Psyche, ?
Venus Callipigia, ?
Venus desolate by the death of Adonis, ?
Venus in her chariot, ?
Venus in Kythera, ?
Venus Medici, ?
Venus wound, ?
Vertical section, ?
Vertical section of the Trajan column, with six plants taken at various heights, three boards together, ?
Vertical section of the Trajan column, with six plants taken at various heights, three boards together, ?
Vertical section of the Trajan column, with six plants taken at various heights, three boards together, ?
Vestibule of an Ancient Temple, ?
View from the rear of this curule chair, ?
View in perspective of a candlestick, ?
View in perspective of the great Fountain of Trevi said Virgin, architecture Nicola Salvi, ?
View in perspective of the higher of the previous candle, ?
View of a colonnade forming a quadrilateral, ?
View of a Eliocamino to dwell in the winter, which was heated by the sun, which is introduced for windows, ?
View of all the shops on the right and left of the road, taking the city opposite the door, ?
View of antique marble tripod is preserved in the Capitoline Museum, ?
View of buildings taken from the entrance of the city of Pompeii, ?
View of Campo Vaccino, ?
View of Corinthian Cavedio more important than the House of the Surgeon, ?
View of Corinthian Cavedio more important than the House of the Surgeon, ?
View of each corner of the same candlestick, ?
View of eighteen side columns, ?
View of elevation above the vessel, ?
View of main facade of the Antonine column, in six tables, ?
View of main facade of the Antonine column, in six tables, ?
View of main facade of the Antonine column, in six tables, ?
View of main facade of the Antonine column, in six tables, ?
View of main facade of the Antonine column, in six tables, ?
View of main facade of the Antonine column, in six tables, ?
View of main facade of the Trajan Column, six boards together, ?
View of main facade of the Trajan Column, six boards together, ?
View of main facade of the Trajan Column, six boards together, ?
View of main facade of the Trajan Column, six boards together, ?
View of main facade of the Trajan Column, six boards together, ?
View of main facade of the Trajan Column, six boards together, ?
View of one of Circus with other monuments in ancient, ?
View of one of monuments in ancient Circus, ?
View of some columns of the facade opposite to that of the preceding table, ?
View of the Arch of Augustus d`Aosta (dis Newdigate by R, F inc Piranesi), ?
View of the Arch of Benevento in the Kingdom of Naples, ?
View of the Arch of Constantine, ?
View of the Arch of Constantine and the Flavian Amphitheatre, called the Colosseum, ?
View of the Arch of Septimius Severus, ?
View of the Arch of Titus, ?
View of the Arch of Titus, ?
View of the Atrium of the Portico of Octavia, ?
View of the Basilica of St. John Lateran, ?
View of the Basilica of St. Lawrence Outside the Walls, ?
View of the Basilica of St. Maria Maggiore and the two factories side of that Basilica, ?
View of the Basilica of St. Paul Outside the Walls, built by Constantine the Great, ?
View of the Basilica of St. Peter`s Square at the Vatican, ?
View of the Basilica of St. Sebastian outside the Walls in Rome on the Appian Way, ?
View of the Baths of Titus, ?
View of the Bridge and Castle St. Angel, ?
View of the Bridge of the Lugano Aniene, ?
View of the Bridge Salary, ?
View of the Capitol, ?
View of the Dogana di Terra in Piazza di Pietra, ?
View of the entryway to the city of Pompeii, with sidewalks and shops, ?
View of the facade of the Basilica of St. Cross in Jerusalem, ?
View of the facade of the Basilica of St. John Lateran, ?
View of the facade of the Basilica of St. Maria Maggiore, ?
View of the Falls of Tivoli, ?
View of the Farnese Palace, ?
View of the Flavian Amphitheatre, called the Coliseum (a bird), ?
View of the great Basilica of St. Peter`s Square and was originally located where the Cirque and the Gardens of Gaius and Nero in the Valley of the Vatican, ?
View of the Mausoleum of Hadrian Helium (now called Castle St. Angelo, on the other side of the facade inside the Castle), ?
View of the monument erected by the Emperor Titus Vespasian restored for the new aqueducts of anion and Claudia, ?
View of the Palace Stopani, ?
View of the Palazzo Odescalchi, ?
View of the Pantheon of Agrippa, ?
View of the Pantheon of Agrippa, ?
View of the pedestal of the Apotheosis of Antoninus Pius and his wife Faustina in the Piazza di Monte Citorio, ?
View of the Peristyle and the Door of the Temple of Vesta at Tivoli commonly called the Sybil, ?
View of the Piazza del Campidoglio, ?
View of the Piazza del Popolo, ?
View of the Piazza della Rotonda, ?
View of the Piazza di Monte Cavallo, ?
View of the Piazza di Monte Cavallo, ?
View of the Piazza Navona on the ruins of the Circus Agonale, ?
View of the Piazza Navona on the ruins of the Circus Agonale, ?
View of the port of Ripa Grande, ?
View of the Port of Ripetta, ?
View of the port of the ancient city of Pompeii, design of L Despres, ?
View of the Quirinal Palace on the building for the Offices of `Short and the Holy See, ?
View of the Roman Capitol, with the staircase that goes to the Church of Araceli, ?
View of the site where was the ancient Roman Forum, ?
View of the source and the caverns of Egeria, ?
View of the Spanish Steps, ?
View of the Square and Basilica of St. John Lateran, ?
View of the Tavern of Pompeii dedicated to Priapus, ?
View of the Temple of Antoninus and Faustina in the Campo Vaccino, ?
View of the Temple of Bacchus, now in the Church of St. urban, ?
View of the Temple of Camene, ?
View of the Temple of Concord, ?
View of the Temple of Cybele at Square Mouth of Truth, ?
View of the Temple of Fortuna Virile, ?
View of the Temple of Hercules in the City of Cora, ?
View of the Temple of Isis, which today exists among the remains of the ancient city of Pompeii, design of L Despres, ?
View of the Temple of Jupiter the Thunderer, ?
View of the Temple of Minerva Medica, ?
View of the Temple of Neptune, ?
View of the Temple of the Cough said of the Via Tiburtina, ?
View of the Temple of the Sibyl at Tivoli, ?
View of the Tiber Island, ?
View of the Tiber on the Ponte Molle, two miles away from Rome, ?
View of the tomb and told the two contiguous, ?
View of the tomb in the remains of the ancient city of Mamia Pompeii, design of L Despres, ?
View of the Tomb of Caius Cestius, ?
View of the Tomb of Piso Licinianus of the ancient Appian Way, beyond the waterworks tower half way Albano, ?
View of the Trevi Fountain extensive anciently called the Acqua Vergine, ?
View of the two Churches the one called the Madonna of Loreto, the other the name of Mary at the Trajan column, ?
View of the upper floor of the menagerie of wild beasts made by Domitian for the use of the Flavian Amphitheatre, commonly known as the Curia and Ostilia, ?
View of the Villa Albani, Alessandro E m Mr. Card outside the Porta Salaria, ?
View of the Villa Este in Tivoli, ?
View of the Villa Medici, ?
View of the waterfalls at Tivoli, ?
View of Vaccino Campo, ?
View of Via del Corso, the Palace of the Academy founded by Louis XIV, King of France, ?
View on Mount Quirinal Palace of the most excellent of the House Barberini Bernini Cav Architecture, ?
View the remains of factories on the second floor of the Baths of Titus, ?
View the remains of Nero`s Golden House Tablino, vulgarly called the Temple of Peace, ?
Veduta dell`Atrio del Portico di Ottavia, ?
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View the remains of the ancient city of Paestum, ?
View the remains of the Baths of Diocletian than to St. Mary of the Angels, ?
View the remains of the circumference of the oldest manufacturers of one of the squares of the Villa Adriana, ?
View the remains of the Forum of Nerva, ?
View the remains of the Forum of Nerva, ?
View the remains of the Praetorian Castro at Villa Adriana in Tivoli, ?
View the remains of the pronaos, ?
View the remains of the tomb of the Family of Plautius the Via Tiburtina near Ponte Lugano, ?
Villa Medici Anagliphus Rome, etc. (capitals and bases), ?
Villa Panfili, ?
Vista of the prospectus of the Temple of Vesta in Tivoli, ?
The Prisons (plate IV), ?
Self-Portrait, ?
Andrew and two other Apostles, half-length, three cupids corner sketched by Guercino, ?
Young woman playing the violin, ?
Zabaglia caricature of Nicholas, the Reverend Fabric of St. Engineer Peter, ?
The Prisons (plate V), ?
The Prisons (plate VI), ?
The Prisons, ?
The Prisons, ?
The Prisons, ?