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EFFLUVIUM / EFFLUVIO

SERGIO ILLUMINATO

EFFLUVIUM / EFFLUVIO

SERGIO ILLUMINATO
  • Date: 2020; Rome, Italy  
  • Style: Art Informel
  • Media: mixed media, mixed technique
  • Dimensions: 50 x 70 cm

The obverse and reverse of a painting. Apparently it could be the representation of the beating of the rain in a window. Behind the informal representation of a rainy landscape, however, the question of meaning would rather emerge regarding man's fate. In particular, the vertical lines carved out of color, based on our world of intentions in acting life that is mockingly reinterpreted at all times in the light of the absurd that dominates our existence - as understood by Camu - that is, in the absence of meaning. A perpetual confrontation between man and darkness as propped against each other, without being able to embrace each other.

Il dritto e il rovescio di un quadro. Apparentemente potrebbe essere la rappresentazione del battere della pioggia in una finestra. Dietro la rappresentazione informale però vorrebbe emergere la domanda di senso riguardo piuttosto al destino dell’uomo. In particolare, le linee verticali scavate nel colore, fondati su questo nostro mondo d’intenzioni nell’agire la vita che beffardamente viene reinterpretata in ogni istante alla luce dell’assurdo che domina la nostra esistenza - così come inteso da Camu - cioè in assenza di senso. Un perpetuo confronto tra l’uomo e l’oscurità come puntellati uno contro l’altro, senza riuscire ad abbracciarsi.

L'avers et le revers d'une peinture. Apparemment, cela pourrait être la représentation du battement de la pluie dans une fenêtre. Derrière la représentation informelle d'un paysage pluvieux, la question du sens se poserait plutôt quant au sort de l'homme. En particulier, les lignes verticales taillées dans la couleur, basées sur notre monde d'intentions dans la vie d'acteur qui est à tout moment réinterprété de façon moqueuse à la lumière de l'absurde qui domine notre existence - telle que la comprend Camu - c'est-à-dire en l'absence de sens. Une confrontation perpétuelle entre l'homme et les ténèbres appuyées les unes contre les autres, sans pouvoir s'embrasser.

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Court Métrage

Short Films

Trafic [2004]

  • Directed by: Catalin Mitulescu
  • Written by: Catalin Mitulescu, Andreea Valean
  • Produced by: Cãtãlin Mitulescu
  • Stuck in heavy traffic, a Romanian businessman heading for an important meeting kills time in the most mundane and improvised ways, from facing personal responsibilities to making random acquaintances. Trafic won the Short Film Palme d'Or at the 2004 Cannes Film Festival and is said to have instigated the Romanian New Wave.