1909 - 1916
260 x 390 cm
Art Institute of Chicago, Chicago, IL, US
Matisse regarded this picture as one of the most important in his career, and it is certainly one of his most puzzling. He worked on it at intervals over eight years, and it passed through a variety of transformations. The painting evolved out of a commission from Matisse's Russian patron, Sergei Shchuckin, for two decorative panels on the subjects of dance and music, and, initially, the scheme for the picture resembled the idyllic scenes he had previously depicted in paintings such as Joy of Life (1905-06). However, his transformations gradually turned it into more of a confrontation with Cubism, and it is for this reason that the picture has been the subject of intense scrutiny. Although Matisse rejected Cubism, he certainly felt challenged by it, and this picture - along with many he painted from 1913 to 1917 - seems to be influenced by the style, since it is very unlike his previous, more decorative work. It is far more concerned with faithful representation of the structure of the human figure, and its position in space.