The layered images of this enigmatic painting blend into each other, giving it a dreamlike (or nightmarish) quality. From the top, the outstretched wings of a bird skeleton seem to be perched upon a hanging carcass, the latter motif influenced, like Bacon's Crucifixion from 1933, by Rembrandt. In the foreground, a well-dressed man under an umbrella sits in a circular enclosure which might be decorated with more bones and another carcass. The strange, collage-like composition of this work reveals Bacon's method. "The one like a butcher's shop, it came to me as an accident," he once said of the picture. "I was attempting to make a bird alighting on a field. And it may have been bound up in some way with the three forms that had gone before, but suddenly the lines that I'd drawn suggested something totally different, and out of this suggestion rose the picture. I had no intention to do this picture; I never thought of it in that way. It was like one continuous accident mounting on top of another."