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By the Seashore

Pierre-Auguste Renoir

By the Seashore

Pierre-Auguste Renoir
  • Date: 1883
  • Style: Impressionism
  • Period: Rejection of Impressionism
  • Genre: portrait
  • Media: canvas
  • Dimensions: 92.1 x 72.4 cm
  • Order Oil Painting
    reproduction

After his trip to Italy in 1881, Renoir made changes to his painting style. Instead of painting en plein air, and with quick brush strokes, he began to carefully outline his figures, and to emphasize the contours and modeling of the scene. It has been referred to as Renoir’s “Ingres Period,” as he was highly influenced by Jean Auguste Dominique Ingres, the prominent neo-classical painter. The woman in the painting is Renoir’s girlfriend, Aline Charigot, who became his wife seven years after this painting was completed. It now resides, as it has since 1929, in the Metropolitan Museum of Art in New York City

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By the Seashore is a painting by Pierre-Auguste Renoir completed in 1883 and now housed in the Metropolitan Museum of Art in New York City.

Renoir made a trip to Italy in 1881-82 and was deeply influenced by Renaissance art. After this trip he began to explore a new manner of painting, different from impressionism. He started to emphasize contours and modeling, abandoned the principle that scenes should be painted outdoors to capture light and atmosphere.

Late in the summer of 1883, Renoir spent about a month in St. Peter Port, the capital of Guernsey, and admired the rocks, cliffs and stunning view of Moulin Huet Bay in St. Martin. He painted the starts of fifteen pictures during his stay, most of which were finished later in his Paris studio. Guernsey lies 48 km off the coast of mainland Normandy. Both share the same geology and Guernsey fulfills the "by the sea" criterion in the exhibition title.

However, By the Seashore is thought to have been painted in the artist's studio. The beach depicted here is probably not in the Channel Islands but near Dieppe, on the Normandy coast. The model was Aline Charigot, his then girlfriend, whom he married in 1890. The arc of the sitter's dark eyebrows and saucily tilted nose in that pleasant, rosy-cheeked face are common to works by Renoir.

The painting is in the collection of the Metropolitan since 1929 from the bequest of Mrs. H. O. Havemeyer.

Media related to Paintings by Pierre-Auguste Renoir in the Metropolitan Museum of Art at Wikimedia Commons

This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). The full text of the article is here →


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