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Mikhail Nesterov

Михаил Нестеров

Mikhail Nesterov

Михаил Нестеров

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Mikhail Vasilyevich Nesterov (Russian: Михаи́л Васи́льевич Не́стеров; 31 May [O.S. 19 May] 1862, Ufa – 18 October 1942, Moscow) was a Russian and Soviet painter; associated with the Peredvizhniki and Mir Iskusstva. He was one of the first exponents of Symbolist art in Russia.

He was born to a strongly patriarchal merchant family. His father was a draper and haberdasher, but always had a strong interest in history and literature. As a result, he was sympathetic to his son's desire to be an artist, but insisted that he acquire practical skills first and, in 1874, he was sent to Moscow where he enrolled at the Voskresensky Realschule.

In 1877, his counselors suggested that he transfer to the Moscow School of Painting, Sculpture and Architecture, where he studied with Pavel Sorokin, Illarion Pryanishnikov and Vasily Perov, who was his favorite teacher. In 1879, he began to participate in the school's exhibitions. Two years later, he entered the Imperial Academy of Fine Arts, where he worked with Pavel Chistyakov. He was disappointed at the teaching there and returned to Moscow, only to find Perov on his deathbed, so he took lessons from Alexei Savrasov.

After a brief stay in Ufa, where he met his future wife, Maria, he returned to Moscow and studied with Vladimir Makovsky. While creating a series of historical paintings, he supported himself doing illustrations for magazines and books published by Alexei Stupin, including a collection of fairy tales by Pushkin. In 1885, he was awarded the title "Free Artist" and married, against his parent's wishes. The following year, his wife died after giving birth to his daughter, Olga. Several of his works from this period feature his wife's image.

His first major success came with his painting, "The Hermit" which was shown at the seventeenth exhibition of the Peredvizhniki in 1889. It was purchased by Pavel Tretyakov and the money enabled Nesterov to take an extended trip to Austria, Germany, France and Italy. Upon returning, his painting, "The Vision to the Youth Bartholomew", the first in a series of works on the life of Saint Sergius, was shown at the eighteenth Peredvizhniki exhibition and also purchased by Tretyakov. This series would eventually include fifteen large canvases and occupy him for fifty years.

In 1890, Adrian Prakhov, who was overseeing work at St Volodymyr's Cathedral, became familiar with Nesterov's paintings and invited him to participate in creating murals and icons there. After some hesitation, he agreed, then travelled to Rome and Istanbul to acquaint himself with Byzantine art. This project would take twenty-two years to complete. Although it brought him great popularity, he apparently came to feel that the images required were too clichéd and beneath his dignity as an artist, so he occasionally introduced some minor innovations, such as setting portraits of saints in a recognizable landscape.

Despite this, he undertook other religious commissions. In 1898, Grand Duke George Alexandrovich asked him to work at the Alexander Nevsky church in Abastumani. He spent six years there, off and on, creating 50 small murals and the iconostasis, but was dissatisfied with the results. He was apparently much more pleased with later work at the Marfo-Mariinsky Convent. He refused to work on the Alexander Nevsky Cathedral, Warsaw, because he did not approve of building an Orthodox cathedral in a predominantly Catholic city.

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