Li Yuan-chia (Chinese: 李元佳; pinyin: Lǐ Yuánjiā) was a Chinese artist, poet and curator. He incorporated installations, works and photography into his art, and was one of a small number of artists of Chinese background active in the UK during his lifetime.
Li Yuan-chia was one of the Ton Fan group (東方畫會) that formed in Taiwan by 1956, also known as Orient Movement or Dongfang Huahui. It is credited with establishing modern abstract art in Chinese circles. Li was one of a number of students of Li Chung-sheng (李仲生, Pinyin Li Zhongsheng) in Ton Fan, who collectively became known as the "Eight Great Outlaws" (八大響馬).
The group exhibited in 1957 at the São Paulo Art Biennial. In Taipei in November 1957 they held a collective exhibition, including works by Spanish painters obtained by Hsiao Chin. This was the first of 15 shows to 1971, but the group became less active because of the emigration of many of its members. A 25th anniversary show took place in 1981.
Li Chung-sheng later commented on Li Yuan-chia's initial development by a facile calligraphic style, but also as an early Chinese conceptual artist.
Li spent time in Italy, in Bologna and Milan; he was a founder of the Punto group, rejoining Hsiao Chin (蕭勤, Pinyin Xiao Qin), and was resident in Bologna in 1965.
Li Yuan-chia moved to London in 1965 where he exhibited with David Medalla and later at the Lisson Gallery. He participated in the 1966 Signals 3 + 1 exhibition, organised by Paul Keeler and Anthony de Kedrel, with Hsiao Chin, Ho Kan, and Pia Pizzo.
In 1968 Li Yuan-chia moved to the area of Brampton (now in Cumbria) in the English-Scottish Borders. After two years residence near Lanercost, he purchased a derelict farmhouse at Banks on Hadrian's Wall from the artist Winifred Nicholson. By his own efforts and with scant resources he established the LYC Museum and Art Gallery. A local artist friend was Audrey Barker. The Museum was described by Hunter Davies in his book A Walk along the Wall, who noted among its exhibits a piece by Takis and a painting by Alfred Wallis.
The LYC exhibited artists such as Andy Goldsworthy and David Nash. Rosie Leventon, Kate Nicholson and Bill Woodrow held solo shows there during the 1980s. It also encouraged the creative efforts of children, some of whom went on to successful careers in the arts.
Gaining increasing recognition for his enterprise, after a year or two Li was awarded funding from the Arts Council, making it possible for the Museum to continue its activities for the ten years he had originally planned.
Li Yuan-chia died of cancer. There was a 1998 memorial exhibition of his work in Taipei. A retrospective of his work and career was shown in London at the Camden Arts Centre in 2001.
Li Yuan-chia (Chinese: 李元佳; pinyin: Lǐ Yuánjiā, 1929–1994) was a Chinese artist, poet and curator. He incorporated installations, works and photography into his art, and was one of a small number of artists of Chinese background active in the UK during his lifetime.
Li Yuan-chia was born in Guangxi, China. He was educated in Taiwan from 1949.
Li Yuan-chia was one of the Ton Fan group (東方畫會) that formed in Taiwan by 1956, also known as Orient Movement or Dongfang Huahui. It is credited with establishing modern abstract art in Chinese circles. Li was one of a number of students of Li Chung-sheng (李仲生, Pinyin Li Zhongsheng) in Ton Fan, who collectively became known as the "Eight Great Outlaws" (八大響馬).
The group exhibited in 1957 at the São Paulo Art Biennial. In Taipei in November 1957 they held a collective exhibition, including works by Spanish painters obtained by Hsiao Chin. This was the first of 15 shows to 1971, but the group became less active because of the emigration of many of its members. A 25th anniversary show took place in 1981.
Li Chung-sheng later commented on Li Yuan-chia's initial development by a facile calligraphic style, but also as an early Chinese conceptual artist.
Li spent time in Italy, in Bologna and Milan; he was a founder of the Punto group, rejoining Hsiao Chin (蕭勤, Pinyin Xiao Qin), and was resident in Bologna in 1965.
Li Yuan-chia moved to London in 1965 where he exhibited with David Medalla and later at the Lisson Gallery. He participated in the 1966 Signals 3 + 1 exhibition, organised by Paul Keeler and Anthony de Kedrel, with Hsiao Chin, Ho Kan, and Pia Pizzo.
In 1968 Li Yuan-chia moved to the area of Brampton (now in Cumbria) in North West England. After two years residence near Lanercost, he purchased a derelict farmhouse at Banks on Hadrian's Wall from the artist Winifred Nicholson. By his own efforts and with scant resources he established the LYC Museum and Art Gallery. A local artist friend was Audrey Barker. The Museum was described by Hunter Davies in his book A Walk along the Wall, who noted among its exhibits a piece by Takis and a painting by Alfred Wallis.
The LYC exhibited artists such as Andy Goldsworthy and David Nash. Rosie Leventon, Rose Frain, Kate Nicholson and Bill Woodrow held solo shows there during the 1980s. It also encouraged the creative efforts of children, some of whom went on to successful careers in the arts.
Gaining increasing recognition for his enterprise, after a year or two Li was awarded funding from the Arts Council, making it possible for the Museum to continue its activities for the ten years he had originally planned.
Li Yuan-chia died of cancer. There was a 1998 memorial exhibition of his work in Taipei. A retrospective of his work and career was shown in London at the Camden Arts Centre in 2001.
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