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John Hoyland

John Hoyland

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John Hoyland (RA) was a London-based British artist. He was one of the country's leading abstract painters.

Hoyland was born in Sheffield, Yorkshire, and educated at Leighton Park School, before going onto study at Sheffield School of Art, Psalter Lane, and the Royal Academy Schools. He was elected to the Royal Academy in 1991 and was appointed Professor of the Royal Academy Schools in 1999. The National Portrait Gallery holds portraits of the artist in its collection.

Hoyland's first solo exhibition was held at the Marlborough New London Gallery in 1964 and he had a solo show at the Whitechapel Art Gallery in 1967. In the 1960s, Hoyland's work was characterised by simple shapes, high-key colour and a flat picture surface. In the 1970s his paintings became more textured. He exhibited at the Waddington Galleries, London throughout the 1970s and 1980s. During the 1960s and 1970s, he showed his paintings in New York City with the Robert Elkon Gallery and the André Emmerich Gallery. His paintings are closely aligned with Post-Painterly Abstraction, Color Field painting and Lyrical Abstraction. Hoyland disliked the "abstract" painter label and described himself as "a painter".

Retrospectives of his paintings have been held at the Serpentine Gallery (1979), the Royal Academy (1999) and Tate St Ives (2006). He won the 1982 John Moores Painting Prize.

His works are held in many public and private collections including the Tate. In September 2010, Hoyland and five other British artists including Howard Hodgkin, John Walker, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art.

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John Hoyland RA (12 October 1934 – 31 July 2011) was a London-based British artist. He was one of the country's leading abstract painters.

John Hoyland was born on 12 October 1934, in Sheffield, Yorkshire, to a working-class family, and educated at Sheffield School of Art and Crafts within the junior art department (1946–51) before progressing to Sheffield College of Art (1951–56), and the Royal Academy Schools, London (1956–60), where Sir Charles Wheeler, the then President of the Royal Academy famously ordered that Hoyland's paintings – all abstracts – be removed from the walls of the Diploma Galleries. It was only the intervention of Peter Greenham, Acting Keeper of the Schools, that saved the day when he reminded Sir Charles Wheeler that Hoyland had painted admired landscapes and figurative paintings– evidence that he could 'paint properly'.

In 1953 Hoyland went abroad for the first time, hitch-hiking with a friend to the South of France. After the bleakness of Sheffield it was a revelation: 'To me it was like landing in Tahiti. There was still rationing here. Down there were all these brown girls, swimming and diving, and all these grapes.' Hoyland visited again in 1957 with David Smith when he was at the Royal Academy and got what he referred to as 'The Gauguin syndrome', a lifelong romance with travel and the south.

The 1960s were a crucial decade for Hoyland; it was in these years that he found his voice as an artist. It was also the time when he made his first trip to America, to New York in 1964, travelling on a Peter Stuyvesant Foundation bursary. There he met Robert Motherwell, with whom he was to become great friends, also Mark Rothko and Barnett Newman, and visited their studios. Hoyland's first solo exhibition was held at the Marlborough New London Gallery in 1964 and his first solo museum show at the Whitechapel Art Gallery in 1967, curated by Bryan Robertson. In the 1960s, Hoyland's work was characterised by simple shapes, high-key colour and a flat picture surface. In the 1970s his paintings became more textured. He exhibited at the Waddington Galleries, London throughout the 1970s and 1980s. During the 1960s and 1970s, he showed his paintings in New York City with the Robert Elkon Gallery and the André Emmerich Gallery. His paintings are closely aligned with Post-Painterly Abstraction, Color Field painting and Lyrical Abstraction. Hoyland disliked the 'abstract' painter label, describing himself simply as 'a painter'. When asked why he disliked the term 'abstraction', he answered: 'It's just too abstract a word. It smacks always of geometry to me, of rational thought. There's no geometry, there's no rectangles in nature, no real straight lines. There's only the circle, the one really powerful form in nature I keep getting drawn back to.'

Retrospectives of his paintings have been held at the Serpentine Gallery (1979), the Royal Academy (1999) and Tate St Ives (2006). In 1982 he won the John Moores Painting Prize and in 1998 the Royal Academy's Wollaston Award.

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John Hoyland Artworks
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