Sign In Sign out

Gretchen Andrew

Gretchen Andrew

Gretchen Andrew (born in Los Angeles, 1988) is a search engine and internet imperialist artist. Her prac‐ tice is described by critic Jonathan Griffin in LALA Magazine as alluding to "the Wild West possibilities of the Internet and to the scale of her artistic ambition." She trained in London with the artist Billy Childish from 2012-2017. In 2018 the V&A Museum released her book Search Engine Art. Starting in 2019 she be‐ came known for her vision boards and associated per‐ formative internet manipulations of art world institu‐ tions of Frieze Los Angeles, he Whitney Biennial, he Turner Prize, and he Cover of Artforum. Gretchen's work has recently been featured in CNN, he Art Newspaper, he Washington Post, Fortune Magazine, Monopol, Wirtschatswoche, he Los Angeles Times, and he Financial Times.

More ...

Gretchen Andrew is an American artist. Her painting practice is mostly described as an exploration of search engine art and virtual reality, an exploration at which she was called a pioneer.

Her work was exhibited in museums and galleries in Europe and the United States, including De Re Gallery, Arebyte gallery.

Gretchen Andrew grew up in New Hampshire. She studied Information Systems at Boston College where she attended on a track scholarship. Describing her degree she has said, "Information systems is all about how companies use technology for competitive advantage...translated into art, I'm asking how I can use information to create meaning."

Andrew worked in silicon valley at both Intuit and Google. After working there from 2010–2012, she left Google to become a painter. She has claimed to have developed her artistic technique by watching how to videos on YouTube. The idea that one can learn about all topics on the Internet was the motto of her artistic series "How to How to How to".

From 2012–2017 she apprenticed with London-based figurative painter Billy Childish who is still her mentor.

Gretchen Andrew's paintings explore and manipulate the functioning of search engines, particularly Google Search.

Her first search engine art piece occurred accidentally when she would copy Billy Childish's paintings and title them as "After Billy Childish". Since internet technology was unable to grasp the nuance between original and facsimile, her versions popped up first when she searched for his paintings online.

In 2018 Gretchen's work then focused on the political and social impact of search technology, exploring in a paper with The British Computer Society the implications for artificial intelligence.

In 2018 she coined the term "search engine art" in a book she co-authored with Irini Papadimitriou through V&A Digital Futures.

In February 2019 Gretchen Andrew used her Internet Imperialism process to convince Google Image Search that images of her artwork are the most important visual content related to Frieze Los Angeles, the much-hyped international art fair. The digital performance brought her prominence with The Los Angeles Times, Hyperallergic, artnet, and others reporting on Gretchen and her practice.

She has manipulated the search results using search engine optimization techniques for the terms "powerful person", "made for women", and "frieze Los Angeles", among others. Her paintings and search engine art are said to relate to the art world in an aspirational way.

This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). The full text of the article is here →

More ...
Gretchen Andrew Artworks
View all 18 artworks