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Gabriel García Márquez

Alejandro Cabeza

Gabriel García Márquez

Alejandro Cabeza
  • Date: 2013; Valencia, Spain  
  • Style: Contemporary Realism
  • Genre: portrait
  • Media: oil, canvas
  • Dimensions: 55 x 46 cm

Portrait of writer Gabriel García Márquez

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Gabriel José de la Concordia García Márquez (/ɡɑːrˈsiːə ˈmɑːrkɛs/; American Spanish: [ɡaˈβɾjel ɣarˈsi.a ˈmarkes] ( listen); 6 March 1927 – 17 April 2014) was a Colombian novelist, short-story writer, screenwriter and journalist, known affectionately as Gabo [ˈɡaβo] or Gabito [ɡaˈβito] throughout Latin America. Considered one of the most significant authors of the 20th century and one of the best in the Spanish language, he was awarded the 1972 Neustadt International Prize for Literature and the 1982 Nobel Prize in Literature. He pursued a self-directed education that resulted in his leaving law school for a career in journalism. From early on, he showed no inhibitions in his criticism of Colombian and foreign politics. In 1958, he married Mercedes Barcha; they had two sons, Rodrigo and Gonzalo.

García Márquez started as a journalist, and wrote many acclaimed non-fiction works and short stories, but is best known for his novels, such as One Hundred Years of Solitude (1967), The Autumn of the Patriarch (1975), and Love in the Time of Cholera (1985). His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style known as magic realism, which uses magical elements and events in otherwise ordinary and realistic situations. Some of his works are set in the fictional village of Macondo (mainly inspired by his birthplace, Aracataca), and most of them explore the theme of solitude.

Upon García Márquez’s death in April 2014, Juan Manuel Santos, the President of Colombia, called him "the greatest Colombian who ever lived."

Gabriel García Márquez was born on 6 March 1927 in Aracataca, Colombia, to Gabriel Eligio García and Luisa Santiaga Márquez Iguarán. Soon after García Márquez was born, his father became a pharmacist and moved, with his wife, to Barranquilla, leaving young Gabriel in Aracataca. He was raised by his maternal grandparents, Doña Tranquilina Iguarán and Colonel Nicolás Ricardo Márquez Mejía. In December 1936, his father took him and his brother to Sincé, while in March 1937, his grandfather died; the family then moved first (back) to Barranquilla and then on to Sucre, where his father started up a pharmacy.

When his parents fell in love, their relationship met with resistance from Luisa Santiaga Márquez's father, the Colonel. Gabriel Eligio García was not the man the Colonel had envisioned winning the heart of his daughter: he (Gabriel Eligio) was a Conservative, and had the reputation of being a womanizer. Gabriel Eligio wooed Luisa with violin serenades, love poems, countless letters, and even telephone messages after her father sent her away with the intention of separating the young couple. Her parents tried everything to get rid of the man, but he kept coming back, and it was obvious their daughter was committed to him. Her family finally capitulated and gave her permission to marry him (The tragicomic story of their courtship would later be adapted and recast as Love in the Time of Cholera.)

Since García Márquez's parents were more or less strangers to him for the first few years of his life, his grandparents influenced his early development very strongly. His grandfather, whom he called "Papalelo", was a Liberal veteran of the Thousand Days War. The Colonel was considered a hero by Colombian Liberals and was highly respected. He was well known for his refusal to remain silent about the banana massacres that took place the year after García Márquez was born. The Colonel, whom García Márquez described as his "umbilical cord with history and reality," was also an excellent storyteller. He taught García Márquez lessons from the dictionary, took him to the circus each year, and was the first to introduce his grandson to ice—a "miracle" found at the United Fruit Company store. He would also occasionally tell his young grandson "You can't imagine how much a dead man weighs", reminding him that there was no greater burden than to have killed a man, a lesson that García Márquez would later integrate into his novels.

This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). The full text of the article is here →


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