Freedom of Worship or Freedom to Worship is the second of the Four Freedoms oil paintings produced by the American artist Norman Rockwell. The series was based on the goals known as the Four Freedoms enunciated by the 32nd President of the United States, Franklin D. Roosevelt, in his State of the Union Address delivered on January 6, 1941. Rockwell considered this painting and Freedom of Speech the most successful of the series. Freedom of Worship was published on the 27th of February, 1943, issue of The Saturday Evening Post alongside an essay by philosopher Will Durant.

Freedom of Worship is the second of a series of four oil paintings by Norman Rockwell entitled Four Freedoms. The works were inspired by President Franklin D. Roosevelt's State of the Union Address delivered to the 77th United States Congress on January 6, 1941, known as Four Freedoms. Of the Four Freedoms, the only two described in the United States Constitution are freedom of speech and freedom of religion. The Four Freedoms' theme was later incorporated into the Allies' World War II policy statement, the Atlantic Charter, and became part of the charter of the United Nations. The series of paintings ran on four consecutive weeks in The Saturday Evening Post, accompanied by essays from noted writers: Freedom of Speech (February 20), Freedom of Worship (February 27), Freedom from Want (March 6) and Freedom from Fear (March 13). For the essay accompanying Freedom of Worship, Post editor Ben Hibbs chose Durant, who was a best-selling author at the peak of his fame. At the time, Durant was in the midst of working on his ten-volume The Story of Civilization, coauthored with his wife, Ariel Durant. Will Durant also lectured on history and philosophy. Eventually, the series of paintings became widely distributed in poster form and became instrumental in the U.S. Government War Bond Drive.

The painting shows the profiles of eight heads in a modest space. The various figures represent people of different faiths in a moment of prayer. Particularly, three figures on the bottom row (right to left): a man with his head covered carrying a religious book who is Jewish, an older woman who is Protestant, and a younger woman with a well-lit face holding rosary beads who is Catholic. In 1966, Rockwell used Freedom of Worship to show his admiration for John F. Kennedy in a Look story illustration entitled JFK's Bold Legacy. The work depicts Kennedy in profile in a composition similar to Freedom of Worship along with Peace Corps volunteers.

The original version of the painting was set in a barbershop with patrons of a variety of religions and races all waiting their turn in the barber's chair. His first workup was a 41-by-33-inch (104 cm × 84 cm) oil on canvas depicting tolerance as "the basis for a democracy's religious diversity". It included a Jew being served by a Protestant barber as a black man and a Roman Catholic priest awaited the barber's services. The problem was painting easily recognizable depictions of different religions and races because there was little agreement on what a person of a certain religion should look like. However, as he attempted to clarify the characters' depictions he found himself resorting to offensive overexaggeration, especially of the non-clerical characters. Making a Jewish man appear stereotypically Semitic, making a white customer preppy and relegating the black man to agrarian workman attire bogged down the work without speaking on behalf of the government as it should. Rockwell's intended theme was religious tolerance, but he felt the original composition did not successfully make this point.

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