The Mirror Hall
The first painting he did after he received the title "Kamal-olMolk" was his magnificent masterpiece "The Mirror Hall". This is the first painting bearing the signature "Kamal-ol-Molk". "The Mirror Hall" was in fact more of a turning-point in Iran's art than a mere painting; a window to a new world rather than paint on canvas.

This exquisite painting is indicative of Kamal-ol-Molk's talent and creativity. In this work, the artist marvellously depicts all the delicacy and details of the vast "Mirror Hall" of Golestan Palace. In this lively spirited painting, Nasereddin Shah is portrayed sitting in the middle of "The Mirror Hall". The reflection of light and the shadow of the objects in the Hall in hundreds of pieces of mirror as well as the reflection of mirrors in one another are so delicately pictured that the beholder can do nothing but stand and wonder.

During a period of about six years (1885-1890), he used all his creativity, stamina and talent to create the painting. A critic once said of the Mirror Hall:
"The delicate struvture of the painting resembles a miniature. Massive chandeliers, crystal prisms, begemmed chairs and tables, a carpet rich in designs, long wavy tulle curtains, tree boughs learning against the window as if whispering the wind's song into the Hall's ears are all reflected in the pieces of mirror, small and large, on the walls and ceiling. The golden rays of the sun have slipped on the magnificent carpet. Light and shadow are harmoniously mingled together to create a scene that mesmerizes the spectator".

The Mirror Hall is the most famous of the halls of the Golestan Palace. This relatively small hall is famous for its extraordinary mirror work. The hall was designed by Haj Abd ol Hossein Memar Bashi (Sanie ol Molk). Yahya Khan (Mowtamed ol Molk), who was the Minister of Architecture, was a consultant for the designer.