Cleopatra and Caesar (French: Cléopâtre et César), also known as Cleopatra Before Caesar, is an oil on canvas painting by the French Academic artist Jean-Léon Gérôme, completed in 1866. The work was originally commissioned by the French courtesan La Païva but she was unhappy with the finished painting and returned it to Gérôme. It was exhibited at the Salon of 1866 and the Royal Academy of Arts in 1871.
Gérôme's painting is one of the earliest modern depictions of Cleopatra emerging from a carpet in the presence of Julius Caesar, a minor historical inaccuracy that arose out of the translation of a scene from Plutarch's Life of Caesar and the semantic change of the word "carpet" over time. The work is considered a classic example of Egyptomania and was mass-produced by Goupil, allowing it to reach a wide audience.
The painting was held by California banker Darius Ogden Mills and remained in the Mills family art collection for over a century until it was sold to a private collector in 1990.
Jean-Léon Gérôme (1824–1904) was a nineteenth century French painter and sculptor. At the age of twenty-three, he came to the attention of the art world at the Salon of 1847 with The Cock Fight (1846), a Neo-Grec painting that was praised by Théophile Gautier. With works informed by his frequent travels throughout the Middle East and visits to Egypt, Gérôme specialized in historical and Orientalist painting and became known as a leader of the Academic art movement. According to historian Charles Sowerwine, Gérôme
French writer Prosper Mérimée first proposed the subject of Cleopatra and Caesar in a letter sent to Gérôme in December 1860. La Païva, a wealthy French courtesan, later commissioned the painting from Gérôme, intending it for display in the Hôtel de la Païva, her mansion on the Champs-Élysées. According to American art critic Earl Shinn, the work was originally painted on silk and was designed as a "transparency to be lowered or raised midway of a long saloon" in La Païva's mansion, "which it was desirable to divide occasionally into two".
Gérôme made at least two previous oil paintings and a number of sketches in preparation for the work. One shows Cleopatra lying on the ground stretching out to Julius Caesar with Apollodorus crouching behind her. In one variation before the finished version, Caesar is shown by himself with his hands on the desk (instead of outstretched) without his four secretaries. When the work was finished in 1866, Cleopatra's position changed to show her standing before Caesar with Apollodorus bent down beside her.
Gérôme painted the scene based on the meeting between Cleopatra and Caesar written in the Life of Caesar by Greek historian Plutarch (c. AD 46 – AD 120) more than a century after the incident took place. Even though Gérôme visited Egypt in 1857, where George W. Whiting of Rice University notes "he acquired numerous abundant local color and exact detail" that informed the painting of Cleopatra and Caesar, the Egyptian background setting in the work is derived from a plate in a volume from the Description de l'Égypte (1809–29) that depicts a temple at Deir el-Medina.
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